D-No.
| Title
|
|
D 1 |
Fantasie in G für Klavier zu 4 Händen
- [Finalsatz] (final stage, fragment) |
|
D 1 |
Fantasie in G für Klavier zu 4 Händen
- (fragment, final stage) |
|
D 6 |
Des Mädchens Klage
- [1. Bearbeitung] (autograph with few corrections) |
|
D 7 |
Leichenfantasie
- (final stage) |
|
D 8 A |
Ouvertüre in c für Streichquartett
- (final stage) |
|
D 9 |
Fantasie in g für Klavier zu 4 Händen
- (fragment, final stage) |
|
D 9 |
Fantasie in g für Klavier zu 4 Händen
- (final stage, fragment) |
|
D 10 |
Der Vatermörder
- (final stage) |
|
D 11 |
Der Spiegelritter
- [Singspiel] (incompletely, fragment, autograph) |
|
D 11 |
Der Spiegelritter
- [Zwischenspiel Nr. 3] (fragment) |
|
D 13 |
Fuge in d
- vermutlich für Klavier (final stage) |
|
D 15 |
Der Geistertanz
- [1. Bearbeitung] (fragment, draft) |
|
D 15 A |
Der Geistertanz
- [2. Bearbeitung] (fragment, draft) |
|
D 16 |
Kontrapunktübungen
- (draft) |
|
D 17 |
Quell' innocente figlio
- [1. Fassung (F-Dur)] (worked on manuscript) |
|
D 17 |
Quell' innocente figlio
- [2. Fassung (G-Dur)] (worked on manuscript) |
|
D 17 |
Quell' innocente figlio
- [3. Fassung (G-Dur)] (worked on manuscript) |
|
D 17 |
Quell' innocente figlio
- [1. Fassung (F-Dur)] (worked on manuscript) |
|
D 17 |
Quell' innocente figlio
- [2. Fassung (F-Dur)} (worked on manuscript) |
|
D 17 |
Quell' innocente figlio
- [3. Fassung (G-Dur)] (worked on manuscript) |
|
D 17 |
Quell' innocente figlio
- [4. Fassung (G-Dur)] (worked on manuscript) |
|
D 17 |
Quell' innocente figlio
- Duetto (worked on manuscript) |
|
D 17 |
Quell' innocente figlio
- (worked on manuscript) |
|
D 18 |
Streichquartett in g/B
- (partial autograph) |
|
D 23 |
Klaglied
- (autograph with few corrections) |
|
D 24 D |
Fuga in C
- für Klavier (worked on manuscript, fragment) |
|
D 25 |
Kontrapunktübungen
- (sketch) |
|
D 25 A |
Kontrapunktübungen
- (worked on manuscript) |
|
D 26 |
Ouvertüre in D
- (worked on manuscript) |
|
D 28 |
Trio in B
- [Partitur] (worked on manuscript) |
|
D 28 |
Trio in B
- [Stimmen] (incompletely, partial autograph) |
|
D 29 |
Andante in C
- für Klavier (worked on manuscript) |
|
D 30 |
Der Jüngling am Bache
- [1. Bearbeitung] (final stage) |
|
D 31 |
Kyrie für eine Messe in d
- (autograph) |
|
D 32 |
Streichquartett in C
- (incompletely) |
|
D 33 |
Entra l'uomo allor che nasce
- (worked on manuscript) |
|
D 33 |
Entra l'uomo allor che nasce
- [1. Fassung (g-Moll)} (worked on manuscript) |
|
D 33 |
Entra l'uomo allor che nasce
- [2. Fassung (g-Moll)] (worked on manuscript) |
|
D 33 |
Entra l'uomo allor che nasce
- [3. Fassung (G-Dur)] (worked on manuscript) |
|
D 33 |
Entra l'uomo allor che nasce. Arie
- (worked on manuscript) |
|
D 33 |
Entra l'uomo allor che nasce. Arie
- (worked on manuscript, draft) |
|
D 34 |
Te solo adoro
- [1. Fassung] (worked on manuscript) |
|
D 34 |
Te solo adoro
- [2. Fassung] (incompletely) |
|
D 35 |
Serbate, o Dei custodi
- (worked on manuscript) |
|
D 35 |
Serbate, o Dei custodi
- (worked on manuscript) |
|
D 36 |
Streichquartett in B
- (final stage) |
|
D 37 |
Die Advokaten
- (incompletely, final stage) |
|
D 37 |
Die Advokaten, op. 74
- Terzett für 2 Tenöre, Basso (fragment) |
|
D 37 A |
4 Fugenentwürfe für Klavier
- (fragment, draft) |
|
D 39 |
Lebenstraum
- (fragment) |
|
D 41 |
30 Menuette mit Trios
- für Klavier (incompletely, worked on manuscript) |
|
D 41 A |
Fuge in e
- für Klavier (?) (fragment, draft) |
|
D 45 |
Kyrie in B für Chor
- (draft) |
|
D 46 |
Streichquartett in C
- (worked on manuscript) |
|
D 47 |
Dithyrambe
- [1. Bearbeitung] (draft, incompletely) |
|
D 47 |
Dithyrambe
- [1. Bearbeitung] (draft, incompletely) |
|
D 48 |
Fantasie in c für Klavier zu 4 Händen
- (worked on manuscript) |
|
D 49 |
Kyrie für eine Messe in d
- (autograph) |
|
D 52 |
Sehnsucht (Ach, aus dieses Tales Gründen)
- [1. Bearbeitung] (worked on manuscript) |
|
D 54 |
Unendliche Freude durchwallet das Herz
- [1. Version] (incompletely) |
|
D 54 |
Unendliche Freude durchwallet das Herz
- [2. Version] (worked on manuscript) |
|
D 55 |
Selig durch die Liebe
- (worked on manuscript) |
|
D 56 |
Sanctus in B
- (worked on manuscript) |
|
D 56 |
Sanctus in B
- (final stage) |
|
D 60 |
Hier umarmen sich getreue Gatten
- (final stage) |
|
D 62 |
Thronend auf erhabnem Sitz
- (incompletely, final stage) |
|
D 63 |
Wer die steile Sternenbahn
- (worked on manuscript) |
|
D 65 |
Schmerz verzerret ihr Gesicht
- (incompletely, worked on manuscript) |
|
D 66 |
Kyrie in F
- (autograph with few corrections) |
|
D 68 |
Streichquartett in B
- (incompletely) |
|
D 68 |
Streichquartett in B
- (worked on manuscript) |
|
D 70 |
Dreifach ist der Schritt der Zeit, Spruch des Konfuzius
- [3. Bearbeitung] (fragment, worked on manuscript) |
|
D 71 |
Die zwei Tugendwege
- (final stage) |
|
D 71 A |
Alleluja in F
- (final stage) |
|
D 71 A |
Alleluja in F
- (worked on manuscript) |
|
D 71 B |
Fuge in e
- für Klavier (fragment, draft) |
|
D 71 B |
Fuge in e
- für Klavier (final stage, fragment) |
|
D 71 C |
Fragment eines Orchesterstücks in D
- (fragment, worked on manuscript) |
|
D 72 |
Oktett in F für Bläser
- (worked on manuscript) |
|
D 73 |
Thekla (eine Geisterstimme)
- [1. Bearbeitung] (autograph with few corrections) |
|
D 76 |
Pensa, che questo istante
- [1. Fassung] (worked on manuscript) |
|
D 76 |
Pensa, che questo istante
- [2. Fassung] (autograph with few corrections) |
|
D 78 |
Son fra l'onde
- (autograph with few corrections) |
|
D 79 |
Nonett in es für Bläser
- (autograph with few corrections) |
|
D 80 |
Zur Namensfeier meines Vaters
- [Endfassung] (final stage) |
|
D 80 |
Zur Namensfeier meines Vaters
- [Stimmen (unvollst.)] (final stage) |
|
D 80 |
Zur Namensfeier meines Vaters
- [Entwurf] (worked on manuscript) |
|
D 83 |
Lied Zur Namensfeier des Herrn Andreas Siller
- [Entwurf, für Singstimme und Violine] (draft) |
|
D 83 |
Zur Namensfeier des Herrn Andreas Siller (Lied)
- [ausgeführte Fassung, für Singstimme, Violine und Harfe] (final stage) |
|
D 84 |
Des Teufels Lustschloß
- [1. Fassung, revidierte Niederschrift] (fragment, worked on manuscript) |
|
D 84 |
Des Teufels Lustschloß
- [2. Fassung, Akt I, III] (final stage) |
|
D 84 |
Des Teufels Lustschloß
- [1. Fassung, Fragment eines Orchestersatzes zu einer Szene aus dem III. Akt] (worked on manuscript, fragment) |
|
D 84 |
Des Teufels Lustschloß
- [2. Fassung, Fragmente aus Nr. 13 und 14, Akt II] (fragment, worked on manuscript) |
|
D 84 |
Des Teufels Lustschloß
- [verworfene 2. Fassung, frühere Version des Finale zum III. Akt, Nr. 23] (fragment) |
|
D 86 |
Menuett in D für Streichquartett
- (worked on manuscript) |
|
D 88 |
Verschwunden sind die Schmerzen
- (worked on manuscript) |
|
D 89 |
V Menuette mit 6 Trios und V Deutsche mit 7 Trios und einer Coda
- für Streichquartett (final stage) |
|
D 91 |
Zwei Menuette mit je zwei Trios
- für Klavier (autograph with few corrections) |
|
D 93/1 |
Don Gayseros
- (autograph with few corrections) |
|
D 93/2 |
Don Gayseros
- (worked on manuscript, fragment) |
|
D 93/3 |
Don Gayseros
- (final stage, fragment) |
|
D 94 |
Streichquartett in D
- [1. Niederschrift] (worked on manuscript) |
|
D 94 |
Streichquartett in D
- [Stimmenabschrift] (final stage) |
|
D 94 A |
Fragment eines Orchesterstücks in B
- (fragment, worked on manuscript) |
|
D 98 |
Erinnerungen
- [1. Fassung] (fragment, draft) |
|
D 102 |
Die Betende
- (incompletely, draft) |
|
D 104 |
Die Befreier Europas in Paris
- [1. Fassung (gestrichen), 2. Fassung] (worked on manuscript) |
|
D 104 |
Die Befreier Europas in Paris
- [3. Fassung] (worked on manuscript) |
|
D 105 |
Messe in F
- (autograph) |
|
D 105 |
Benedictus
- [Entwurf] (incompletely, draft) |
|
D 105 (früher D 185) |
Dona nobis pacem (F-Dur)
- [2. Bearbeitung] (worked on manuscript) |
|
D 106 |
Salve Regina in B
- (worked on manuscript) |
|
D 110 |
Wer ist groß?
- (worked on manuscript) |
|
D 111 A |
Streichtrio in B
- (worked on manuscript, fragment) |
|
D 113 |
An Emma
- [1. Fassung] (incompletely, final stage) |
|
D 114 |
Romanze
- [1. Fassung] (final stage) |
|
D 114 |
Romanze
- [2. Fassung] (final stage) |
|
D 115 |
An Laura, als sie Klopstocks Auferstehungslied sang
- (worked on manuscript) |
|
D 118 |
Gretchen am Spinnrade
- (final stage) |
|
D 118 |
Gretchen am Spinnrade
- (fragment, final stage) |
|
D 119 |
Nachtgesang (O gib vom weichen Pfühle)
- (incompletely, autograph) |
|
D 120 |
Trost in Tränen
- (final stage) |
|
D 121 |
Schäfers Klagelied
- [2. Fassung] (final stage) |
|
D 121 |
Schäfers Klagelied
- [1. Fassung] (final stage) |
|
D 121 |
Schäfers Klagelied
- [1. Fassung] (final stage) |
|
D 123 |
Sehnsucht (Was zieht mir das Herz so?)
- [1. Niederschrift, Takte 14–69] (worked on manuscript, incompletely) |
|
D 123 |
Sehnsucht (Was zieht mir das Herz so?)
- (final stage) |
|
D 123 |
Sehnsucht (Was zieht mir das Herz so?)
- [1. Niederschrift, Takte 1–13] (worked on manuscript, incompletely) |
|
D 124 |
Am See (Sitz ich im Gras)
- [1. Fassung] (incompletely, worked on manuscript) |
|
D 126 |
Szene aus "Faust"
- [1. Fassung] (final stage) |
|
D 128 |
Zwölf Wiener Deutsche
- für Klavier (worked on manuscript) |
|
D 137 |
Adrast
- (fragment, worked on manuscript) |
|
D 137 |
Adrast
- (worked on manuscript, fragment) |
|
D 138 |
Rastlose Liebe
- [1. Fassung] |
|
D 142 |
Geistes-Gruß
- [2. Fassung] (final stage) |
|
D 145 |
7 Walzer (Deutsche)
- für Klavier (final stage) |
|
D 145/1 |
Zwei Eccossaisen
- für Klavier (final stage) |
|
D 145/8 |
Eccossaise in gis
- für Klavier (final stage) |
|
D 146 |
17 Deutsche
- für Klavier (final stage) |
|
D 147 |
Bardengesang
- (worked on manuscript) |
|
D 151 |
Auf einen Kirchhof
- (worked on manuscript) |
|
D 152 |
Minona
- (final stage) |
|
D 154 |
Sonate in E
- für Klavier (final stage, incompletely) |
|
D 157 |
Sonate in E
- für Klavier (final stage) |
|
D 160 |
Am Flusse
- [1. Bearbeitung] (autograph with few corrections) |
|
D 161 |
An Mignon
- [1. Fassung] (fragment, final stage) |
|
D 161 |
An Mignon
- [1. Fassung] (autograph with few corrections) |
|
D 162 |
Nähe des Geliebten
- [2. Fassung] (autograph with few corrections) |
|
D 162 |
Nähe des Geliebten
- [2. Fassung] (final stage) |
|
D 162 |
Nähe des Geliebten
- [1. Fassung] (worked on manuscript) |
|
D 163 |
Sängers Morgenlied
- [1. Bearbeitung] (autograph with few corrections) |
|
D 165 |
Sängers Morgenlied
- [2. Bearbeitung] (final stage) |
|
D 166 |
Amphiaraos
- (worked on manuscript) |
|
D 175 |
Stabat mater in g
- (final stage) |
|
D 178 |
Adagio in G
- für Klavier [1. Fassung] (worked on manuscript) |
|
D 178 |
Adagio in G
- für Klavier [2. Fassung] (incompletely, worked on manuscript) |
|
D 187 |
Stimme der Liebe
- [1. Bearbeitung] (autograph with few corrections) |
|
D 188 |
Naturgenuß
- (incompletely, worked on manuscript) |
|
D 190 |
Der vierjährige Posten
- [Singspiel in einem Akt] (incompletely, worked on manuscript) |
|
D 191 |
Des Mädchens Klage
- [2. Bearbeitung, 1. Fassung] (worked on manuscript) |
|
D 192 |
Der Jüngling am Bache
- [2. Bearbeitung] (worked on manuscript) |
|
D 193 |
An den Mond
- [1. Fassung] (autograph with few corrections) |
|
D 194 |
Die Mainacht
- (worked on manuscript) |
|
D 208 |
Die Nonne
- [1. Fassung] (incompletely, autograph with few corrections) |
|
D 208 |
Die Nonne
- [2. Fassung] (worked on manuscript) |
|
D 208 |
Die Nonne
- [1. Fassung] (fragment, autograph with few corrections, incompletely) |
|
D 211 |
Adelwold und Emma
- (worked on manuscript) |
|
D 215 |
Jägers Abendlied
- [1. Bearbeitung] (worked on manuscript) |
|
D 215 A |
Meeres Stille
- [1. Bearbeitung] (incompletely, worked on manuscript) |
|
D 216 |
Meeres Stille
- [2. Bearbeitung] (final stage) |
|
D 218 |
Grablied
- (autograph with few corrections) |
|
D 219 |
Das Finden
- (final stage) |
|
D 219 |
Das Finden
- (autograph with few corrections) |
|
D 220 |
Fernando
- Singspiel in einem Akt (final stage) |
|
D 221 |
Der Abend
- (final stage) |
|
D 222 |
Lieb Minna
- (autograph with few corrections) |
|
D 223 |
Salve Regina ("Offertorium") in F
- (worked on manuscript) |
|
D 224 |
Wandrers Nachtlied
- (final stage) |
|
D 225 |
Der Fischer
- [2. Fassung] (final stage) |
|
D 226 |
Erster Verlust
- (final stage) |
|
D 227 |
Idens Nachtgesang
- (final stage) |
|
D 230 |
Die Täuschung
- (final stage) |
|
D 231 |
Das Sehnen
- (final stage) |
|
D 232 |
Hymne an den Unendlichen
- (draft) |
|
D 233 |
Geist der Liebe
- (final stage) |
|
D 234 |
Tischlied
- (final stage) |
|
D 235 |
Abends unter der Linde
- [1. Bearbeitung] (autograph with few corrections) |
|
D 236 |
Das Abendrot
- (worked on manuscript, draft) |
|
D 237 |
Abends unter der Linde
- [2. Bearbeitung, 1. Fassung] (autograph with few corrections) |
|
D 238 |
Die Mondnacht
- (autograph with few corrections) |
|
D 240 |
Huldigung
- (final stage) |
|
D 240 |
Huldigung
- (autograph with few corrections) |
|
D 241 |
Alles um Liebe
- (final stage) |
|
D 241 |
Alles um Liebe
- (worked on manuscript) |
|
D 247 |
Die Spinnerin
- (final stage) |
|
D 250 |
Das Geheimnis
- [1. Bearbeitung] (worked on manuscript) |
|
D 251 |
Hoffnung
- [1. Bearbeitung] (autograph with few corrections) |
|
D 257 |
Heidenröslein
- (final stage) |
|
D 258 |
Bundeslied
- (final stage) |
|
D 260 |
Wonne der Wehmut
- (final stage) |
|
D 261 |
Wer kauft Liebesgötter?
- [2. Fassung] (final stage) |
|
D 267 |
Trinklied
- (worked on manuscript) |
|
D 268 |
Bergknappenlied
- (final stage) |
|
D 269 |
Das Leben
- [2. Fassung] (worked on manuscript) |
|
D 271 |
Der Weiberfreund
- (autograph with few corrections) |
|
D 278 |
Ossians Lied nach dem Tode Nathos
- [1. Fassung] (incompletely, worked on manuscript) |
|
D 278 |
Ossians Lied nach dem Falle Nathos
- [2. Fassung] (final stage) |
|
D 279 |
Sonate in C
- für Klavier (final stage) |
|
D 281 |
Das Mädchen von Inistore
- [1. Fassung] (final stage, incompletely) |
|
D 282 |
Cronnan
- [1. Fassung] (incompletely, worked on manuscript) |
|
D 286 B |
Selma und Selmar
- [1. Fassung] (autograph with few corrections) |
|
D 287 A |
Vaterlandslied
- [1. Fassung] (worked on manuscript) |
|
D 288 |
An Sie
- (worked on manuscript) |
|
D 289 A |
Die Sommernacht
- [1. Fassung] (worked on manuscript) |
|
D 291 |
Dem Unendlichen
- [3. Fassung] (final stage) |
|
D 293 |
Shilric und Vinvela
- [1. Fassung] (autograph with few corrections, incompletely) |
|
D 294 |
Namensfeier
- (worked on manuscript) |
|
D 295 |
Hoffnung
- [1. Fassung] (autograph with few corrections) |
|
D 296 |
An den Mond
- [2. Bearbeitung] (autograph with few corrections) |
|
D 302 |
Labetrank der Liebe
- (autograph with few corrections) |
|
D 303 |
An die Geliebte
- (autograph with few corrections) |
|
D 304 |
Wiegenlied
- (autograph with few corrections) |
|
D 305 |
Mein Gruß an den Mai
- (autograph with few corrections) |
|
D 306 |
Skolie
- (autograph with few corrections) |
|
D 307 |
Die Sternwelten
- (autograph with few corrections) |
|
D 308 |
Die Macht der Liebe
- (autograph with few corrections) |
|
D 309 A |
Rondo in C
- für Klavier (worked on manuscript, fragment) |
|
D 310 B |
Sehnsucht
- [2. Fassung] (final stage) |
|
D 311 |
An den Mond
- (draft) |
|
D 318 |
Schwangesang
- (autograph with few corrections) |
|
D 319 |
Luisens Antwort
- [1. Fassung] (autograph with few corrections) |
|
D 319 |
Luisens Antwort
- [2. Fassung] (final stage) |
|
D 320 |
Der Zufriedene
- (autograph with few corrections) |
|
D 321 |
Mignon
- [1. Fassung] (autograph with few corrections) |
|
D 322 |
Hermann und Thusnelda
- [1. Fassung] (worked on manuscript) |
|
D 323 |
Klage der Ceres
- [T. 1–141] (worked on manuscript, incompletely) |
|
D 323 |
Klage der Ceres
- [Fortsetzung] (worked on manuscript, incompletely) |
|
D 323 |
Klage der Ceres
- [Variante für T. 142–203] (incompletely, worked on manuscript) |
|
D 324 |
Messe in B
- (copy of a different hand with autograph entries, partial autograph) |
|
D 324 |
Messe in B
- (incompletely, autograph) |
|
D 325 |
Harfenspieler (Wer sich der Einsamkeit ergibt)
- [1. Bearbeitung] (worked on manuscript, incompletely) |
|
D 326 |
Die Freunde von Salamanka
- Komisches Singsiel in zwei Akten (final stage) |
|
D 327 |
Lorma
- (fragment, draft) |
|
D 328 |
Erlkönig
- [2. Fassung] (final stage) |
|
D 329 |
Die drei Sänger
- (fragment, worked on manuscript) |
|
D 334 |
Menuett in A mit Trio in E
- für Klavier (final stage) |
|
D 335 |
Menuett mit zwei Trios in E
- für Klavier (final stage) |
|
D 337 |
Die Einsiedelei
- (final stage) |
|
D 338 |
An den Frühling
- (final stage) |
|
D 346 |
Allegretto in C
- für Klavier (fragment, worked on manuscript) |
|
D 347 |
Allegro moderato in C
- für Klavier (fragment, final stage) |
|
D 348 |
Andantino in C
- für Klavier (fragment, worked on manuscript) |
|
D 349 |
Adagio in C
- für Klavier (fragment, worked on manuscript) |
|
D 354 |
Vier Komische Ländler in D
- für 2 Violinen (final stage) |
|
D 355 |
Acht Ländler in fis
- für Violine (?) (final stage) |
|
D 356 |
Trinklied
- [1. Fassung] (fragment) |
|
D 356 |
Trinklied
- [2. Fassung] (final stage) |
|
D 356 |
Trinklied
- [3. Fassung] (worked on manuscript) |
|
D 361 |
Am Bach im Frühlinge
- [2. Fassung] (autograph with few corrections) |
|
D 362 |
Zufriedenheit
- [1. Bearbeitung] (worked on manuscript) |
|
D 365 |
Neun Incipits zu Tänzen in A
- (autograph) |
|
D 365 |
Sechs Entwürfe für Tänze
- (sketch) |
|
D 365 |
7 Deutsche-Walzer
- für Klavier (final stage) |
|
D 365/3 |
2 Walzer
- (final stage) |
|
D 365/3 |
Deutscher
- (final stage) |
|
D 366/17 |
Allemande
- (final stage) |
|
D 367 |
Der König in Thule
- (final stage) |
|
D 368 |
Jägers Abendlied
- [2. Bearbeitung] (final stage) |
|
D 370 |
Neuen Ländler in D
- für Violine (?) (final stage) |
|
D 371 |
Klage
- (autograph with few corrections) |
|
D 371 (s. 292) |
Klage
- (draft) |
|
D 372 |
An die Natur
- [1. Fassung] (worked on manuscript) |
|
D 373 |
Lied (Mutter geht durch ihre Kammern)
- (worked on manuscript) |
|
D 374 |
Elf Ländler in B
- für Violine (final stage) |
|
D 376 |
Lorma
- (incompletely, fragment, worked on manuscript) |
|
D 377 |
Das Grab
- [1. Fassung] (worked on manuscript) |
|
D 377 |
Das Grab
- [2. Fassung (Reinschrift)] (final stage) |
|
D 378 |
Acht Ländler in B
- für Klavier (final stage) |
|
D 379 |
Deutsches Salve Regina in F
- (worked on manuscript) |
|
D 380 |
Drei Menuette mit je zwei Trios
- für Klavier (fragment, final stage) |
|
D 383 |
Stabat mater (Jesus Christus schwebt am Kreuze)
- [Endfassung] (autograph) |
|
D 383 |
Stabat mater (Jesus Christus schwebt am Kreuze)
- [Entwürfe zu Nr. 4, 5] (draft) |
|
D 386 |
Salve Regina in B
- für Chor (worked on manuscript) |
|
D 387 |
Die Schlacht
- [2. Bearbeitung] (draft) |
|
D 388 |
Laura am Klavier
- [1. Fassung] (incompletely, worked on manuscript) |
|
D 389 |
Des Mädchens Klage
- (fragment) |
|
D 402 |
Der Flüchtling
- (incompletely, autograph with few corrections) |
|
D 403 |
Lied (Ins stille Land)
- [2. Fassung] (final stage) |
|
D 403 |
Lied (Ins stille Land)
- [1. Fassung] (worked on manuscript) |
|
D 404 |
Die Herbstnacht
- (final stage) |
|
D 405 |
Der Herbstabend
- [1. Fassung] (final stage) |
|
D 405 |
Der Herbstabend
- (draft) |
|
D 406 |
Abschied von der Harfe
- [2. Fassung] (final stage) |
|
D 407 |
Gütigster, Bester, Weisester
- [1. Bearbeitung] (worked on manuscript) |
|
D 407 |
Beitrag zur fünfzigjährigen Jubelfeier des Herrn Salieri
- [1. Fassung] (worked on manuscript) |
|
D 409 |
Die verfehlte Stunde
- [2. Fassung] (final stage) |
|
D 410 |
Sprache der Liebe
- (worked on manuscript) |
|
D 417 |
Sinfonie Nr. 4 in c
- (sketch) |
|
D 422 |
Naturgenuß
- (worked on manuscript) |
|
D 431 |
Blumenlied
- (autograph with few corrections) |
|
D 432 |
Der Leidende
- [1. Fassung] (autograph with few corrections) |
|
D 433 |
Seligkeit
- (autograph with few corrections) |
|
D 435 |
Die Bürgschaft
- [Oper in drei Akten] (worked on manuscript) |
|
D 435 |
Die Bürgschaft
- [Nr. 13: Räuberlied] (final stage) |
|
D 439 |
An die Sonne
- (worked on manuscript) |
|
D 443 |
Schlachtlied
- (worked on manuscript) |
|
D 444 |
Die Gestirne
- (autograph with few corrections) |
|
D 449 |
Der gute Hirt
- (worked on manuscript) |
|
D 450 |
Fragment aus dem Aeschylus
- [1. Fassung] (worked on manuscript) |
|
D 457 |
An die untergehende Sonne
- (fragment, draft) |
|
D 459 |
Sonate in E
- für Klavier (worked on manuscript, fragment) |
|
D 459 A/3 |
Drei Klavierstücke
- [Nr. 3] (incompletely, worked on manuscript) |
|
D 467 |
Pflicht und Liebe
- (fragment, worked on manuscript) |
|
D 468 |
An den Mond
- (worked on manuscript) |
|
D 469 |
Mignon
- [1. Bearbeitung] (fragment) |
|
D 469 |
Mignon
- [1. Bearbeitung] (fragment) |
|
D 470 |
Ouvertüre in B
- (worked on manuscript) |
|
D 470 |
Ouvertüre in B für Streichquartett
- (fragment, worked on manuscript) |
|
D 470 |
Streichquartettfassung der Ouvertüre in B
- (worked on manuscript, fragment) |
|
D 471 |
Streichtrio in B
- (fragment, worked on manuscript) |
|
D 472 |
Kantate zu Ehren von Josef Spendou
- (worked on manuscript) |
|
D 473 |
Liedesend
- [2. Fassung] (final stage) |
|
D 473 |
Liedesend
- [1. Fassung] (worked on manuscript) |
|
D 474 |
Lied des Orpheus, als er in die Hölle ging
- [1. Fassung] (incompletely, autograph with few corrections) |
|
D 476 |
Rückweg
- (worked on manuscript) |
|
D 477 |
Alte Liebe rostet nie
- (autograph with few corrections) |
|
D 478 |
Harfenspieler II (An die Türen will ich schleichen)
- [1. Fassung] (incompletely, worked on manuscript) |
|
D 478 |
Harfenspieler III (Wer nie sein Brot mit Thränen aß)
- [1. Bearbeitung, nur Melodiestimme] (incompletely, draft) |
|
D 478 |
Harfenspieler III (Wer nie sein Brot mit Thränen aß)
- [1. Bearbeitung] (worked on manuscript) |
|
D 478 |
Harfenspieler III (Wer nie sein Brot mit Thränen aß)
- [2. Bearbeitung] (worked on manuscript) |
|
D 478 |
Gesänge des Harfners aus "Wilhelm Meister"
- [2. Bearbeitung, 1. Fassung] (autograph with few corrections) |
|
D 478 |
Harfenspieler II (An die Türen will ich schleichen)
- [1. Fassung] (worked on manuscript, incompletely) |
|
D 484 |
Gesang der Geister über den Wassern
- (incompletely, draft, fragment) |
|
D 486 |
Magnificat in C
- [Bassstimme] (partial autograph, incompletely, final stage) |
|
D 492 |
Zum Punsche
- (final stage) |
|
D 494 |
Der Geistertanz
- [4. Bearbeitung] (final stage) |
|
D 495 |
Abendlied der Fürstin
- (autograph with few corrections) |
|
D 498 |
Wiegenlied
- (incompletely, worked on manuscript, manuscript not by Schubert's hand) |
|
D 506 |
Rondo in E
- für Klavier (incompletely, worked on manuscript) |
|
D 508 |
Lebenslied
- (incompletely, final stage) |
|
D 510 |
Vedi quanto adoro
- [4. Fassung] (final stage) |
|
D 510 |
Vedi quanto adoro
- [1. Fassung] (draft) |
|
D 510 |
Vedi quanto adoro
- [3. Fassung] (worked on manuscript, incompletely) |
|
D 510 |
Vedi quanto adoro
- [2. Fassung] (draft) |
|
D 511 |
Ecossaise in Es
- für Klavier (final stage) |
|
D 513 |
La pastorella al prato
- (worked on manuscript) |
|
D 513 A |
Nur wer die Liebe kennt
- (fragment, draft) |
|
D 516 |
Sehnsucht
- (fragment, draft) |
|
D 528 |
La pastorella al prato
- (final stage) |
|
D 535 |
Lied (Brüder, schrecklich brennt die Träne)
- (worked on manuscript) |
|
D 536 |
Der Schiffer
- (partial autograph) |
|
D 539 |
Am Strome
- (incompletely, worked on manuscript) |
|
D 540 |
Philoktet
- (incompletely, worked on manuscript) |
|
D 541 |
Memnon
- (autograph with few corrections) |
|
D 548 |
Orest auf Tauris
- (worked on manuscript) |
|
D 549 |
Mahomets Gesang
- [1. Bearbeitung] (incompletely, worked on manuscript) |
|
D 551 |
Pax vobiscum
- (worked on manuscript) |
|
D 552 |
Hänflings Liebeswerbung
- [1. Fassung] (worked on manuscript) |
|
D 556 |
Ouvertüre in D
- (worked on manuscript) |
|
D 562 |
Fischerlied
- [2. Bearbeitung] (worked on manuscript) |
|
D 563 |
Die Einsiedelei
- [2. Bearbeitung] (autograph with few corrections) |
|
D 565 |
Der Strom
- (worked on manuscript) |
|
D 565 |
Der Strom
- (worked on manuscript) |
|
D 566 |
Sonate in e
- für Klavier (fragment, final stage) |
|
D 568 |
Sonate in Des
- [1. Fassung in Des] für Klavier (incompletely, worked on manuscript) |
|
D 568 |
Sonate in Des
- [1. Fassung in Des] für Klavier (incompletely, final stage) |
|
D 568 |
Sonate in Des
- [1. Fassung in Des] für Klavier (incompletely, worked on manuscript) |
|
D 569 |
Das Grab
- (worked on manuscript) |
|
D 570 |
Scherzo in D und Allegro in fis
- für Klavier (fragment, worked on manuscript) |
|
D 571 |
Sonate in fis
- für Klavier (fragment, worked on manuscript) |
|
D 572 |
Lied im Freien
- [Partitur] (worked on manuscript) |
|
D 572 |
Lied im Freien
- [Stimmen] (final stage) |
|
D 573 |
Iphigenia
- [1. Fassung] (incompletely, autograph with few corrections) |
|
D 576 |
13 Variationen über ein Thema von Anselm Hüttenbrenner in a
- für Klavier (worked on manuscript) |
|
D 577 |
Entzückung an Laura
- [2. Bearbeitung] (fragment, worked on manuscript) |
|
D 577 |
Entzückung an Laura
- [2. Bearbeitung] (worked on manuscript, fragment) |
|
D 580 |
Polonaise in B für Violine und Orchester
- (fragment, final stage) |
|
D 581 |
Streichtrio in B
- [2. Fassung] (final stage) |
|
D 581 |
Streichtrio in B
- [1. Fassung] (worked on manuscript) |
|
D 584 |
Elysium
- (incompletely, worked on manuscript) |
|
D 585 |
Atys
- (autograph with few corrections) |
|
D 585 |
Atys
- [Abschrift ab T. 83] (Copy, incompletely) |
|
D 586 |
Erlafsee
- (autograph with few corrections) |
|
D 587 |
An den Frühling
- [2. Bearbeitung, 2. Fassung] (final stage) |
|
D 588 |
Der Alpenjäger
- [1. Fassung] (incompletely, worked on manuscript) |
|
D 590 |
Ouvertüre "im italienischen Stile" in D
- (final stage) |
|
D 591 |
Ouvertüre
- im italienischen Stil (worked on manuscript) |
|
D 597 |
Ouvertüre im "italienischen Stile" in C
- für Klavier zu 4 Händen (final stage) |
|
D 598 |
Das Dörfchen
- [1. Fassung] (autograph, draft) |
|
D 600 |
Menuett in cis
- für Klavier (final stage) |
|
D 604 |
Klavierstück in A
- (worked on manuscript) |
|
D 605 |
Fantasie in C
- für Klavier (fragment, worked on manuscript) |
|
D 607 |
Evangelium Johannis 6, Vers 55–58
- (partial autograph, incompletely, worked on manuscript) |
|
D 608 |
Rondo in D für Klavier zu 4 Händen
- [1. Fassung] (worked on manuscript) |
|
D 613 |
Sonate in C
- für Klavier (fragment, worked on manuscript) |
|
D 615 |
Entwürfe für zwei Sätze einer Sinfonie in D
- (draft) |
|
D 616 |
Grablied für die Mutter
- (worked on manuscript) |
|
D 618 |
Deutscher in G mit 2 Trios und 2 Ländler in E
- für Klavier zu 4 Händen (autograph with few corrections) |
|
D 618 |
2 Deutsche ohne Trios
- (final stage) |
|
D 619 |
Sing-Übungen
- (final stage) |
|
D 622 |
Der Blumenbrief
- (autograph with few corrections) |
|
D 624 |
Acht Variationen über ein französisches Lied in e
- (print) |
|
D 628 |
Sonett (Apollo, lebet noch dein hold Verlangen)
- (final stage) |
|
D 629 |
Sonett (Allein, nachdenklich)
- (final stage) |
|
D 630 |
Sonett (Nunmehr, da Himmel, Erde schweigt)
- (autograph with few corrections) |
|
D 635 |
Leise, leise laßt uns singen
- (final stage) |
|
D 638 |
Der Jüngling am Bache
- [3. Bearbeitung, 1. Fassung] (autograph with few corrections) |
|
D 642 |
Viel tausend Sterne prangen
- (final stage) |
|
D 644 |
Die Zauberharfe
- [Zauberspiel mit Musik in drei Akten] (autograph) |
|
D 644 |
Die Zauberharfe
- [Entwürfe zu Nr. 1, 2, 4] (draft) |
|
D 644 |
Die Zauberharfe
- [Romanze des Palmerin, Nr. 9a] (fragment) |
|
D 644 |
Die Zauberharfe
- [Variante zu Nr. 3] (draft) |
|
D 644 |
Die Zauberharfe
- [Entwürfe zu Nr. 1, 5] (draft) |
|
D 644 |
Die Zauberharfe
- [Finale II.; Chor der Genien, Nr. 9b] (draft) |
|
D 648 |
Ouvertüre in e
- (worked on manuscript) |
|
D 649 |
Der Wanderer
- [1. Fassung] (final stage) |
|
D 655 |
Sonate in cis
- für Klavier (fragment, worked on manuscript) |
|
D 657 |
Ruhe, schönstes Glück der Erde
- (worked on manuscript) |
|
D 666 |
Kantate zum Geburtstag des Sängers Johann Michael Vogl
- (worked on manuscript) |
|
D 668 |
Ouvertüre in g
- für Klavier zu 4 Händen (final stage) |
|
D 669 |
Beim Winde
- (autograph with few corrections) |
|
D 670 |
Die Sternennächte
- [1. Fassung] (autograph with few corrections, incompletely) |
|
D 677 |
Strophe aus "Die Götter Griechenlands"
- [1. + 2. Fassung] (final stage) |
|
D 678 |
Messe in As
- [Variante der 2. Fassung des Osanna] (autograph) |
|
D 678 |
Messe in As
- [Orgelstimme der 1. Fassung] (final stage) |
|
D 678 |
Messe in As
- [Entwurf zum Credo] (draft) |
|
D 678 |
Messe in As
- [Entwurf zur Fuge Cum Sancto Spiritu] (draft) |
|
D 682 |
Über allen Zauber Liebe
- (fragment, worked on manuscript) |
|
D 686 |
Frühlingsglaube
- [2. Fassung] (final stage) |
|
D 688,1 |
Vier Canzonen für eine Singstimme mit Klavierbegleitung
- (autograph) |
|
D 689 |
Lazarus, oder: Die Feier der Auferstehung
- [Szenisches Oratorium in 3 Akten] (fragment, final stage) |
|
D 691 |
Die Vögel
- (final stage) |
|
D 692 |
Der Knabe
- (autograph) |
|
D 693 |
Der Fluß
- (incompletely, final stage) |
|
D 696 |
Sechs Antiphonen zur Palmweihe
- (worked on manuscript) |
|
D 698 |
Des Fräuleins Liebeslauschen
- (final stage) |
|
D 699 |
Der entsühnte Orest
- (final stage) |
|
D 700 |
Freiwilliges Versinken
- (worked on manuscript) |
|
D 701 |
Sacontala
- [Oper in drei Akten] (fragment, worked on manuscript) |
|
D 706 |
Der 23. Psalm
- (final stage) |
|
D 706 |
Der 23. Psalm
- (draft) |
|
D 707 |
Der zürnenden Diana
- [2. Fassung] (final stage) |
|
D 708 A |
Entwürfe zu einer Sinfonie in D
- (draft) |
|
D 710 |
Im Gegenwärtigen Vergangenes
- (worked on manuscript) |
|
D 711 |
Lob der Tränen
- [1. Fassung] (final stage) |
|
D 712 |
Die gefangenen Sänger
- [Entwurf] (incompletely, draft) |
|
D 713 |
Der Unglückliche
- [Entwurf] (draft, incompletely) |
|
D 713 |
Der Unglückliche
- [1. Fassung] (autograph with few corrections) |
|
D 714 |
Gesang der Geister über den Wassern
- [2. Fassung] (final stage) |
|
D 714 |
Gesang der Geister über den Wassern
- [1. Fassung] (worked on manuscript) |
|
D 715 |
Versunken
- [2. Fassung] (final stage) |
|
D 715 |
Versunken
- [1. Fassung] (autograph with few corrections) |
|
D 719 |
Geheimes
- (autograph with few corrections) |
|
D 720 |
Suleika I (Was bedeutet die Bewegung?)
- [1. Fassung] (worked on manuscript) |
|
D 722 |
Deutscher in Ges, 7 Deutsche-Walzer
- für Klavier (final stage) |
|
D 726 |
Mignon I
- [1. Bearbeitung] (worked on manuscript) |
|
D 727 |
Mignon II
- [2. Bearbeitung] (worked on manuscript) |
|
D 728 |
Johanna Sebus
- (fragment, worked on manuscript) |
|
D 730 |
Tantum ergo in B
- (final stage) |
|
D 732 |
Alfonso und Estrella
- (final stage) |
|
D 732, Nr. 13 |
Alfonso und Estrella Nr. 13: Wenn ich dich, Holde, sehe
- (final stage) |
|
D 732, Nr. 8 |
Alfonso und Estrella Nr. 8: Doch im Getümmel der Schlacht
- (final stage) |
|
D 743 |
Selige Welt
- (final stage) |
|
D 744 |
Schwanengesang (Wie klag ich's aus)
- (final stage) |
|
D 745 |
Die Rose
- [2. Fassung] (partial autograph, final stage, Copy) |
|
D 746 |
Am See
- (autograph with few corrections) |
|
D 749 |
Herrn Josef Spaun, Assessor in Linz
- (autograph with few corrections) |
|
D 752 |
Nachtviolen
- (worked on manuscript, incompletely) |
|
D 752 |
Nachtviolen
- (worked on manuscript, incompletely) |
|
D 753 |
Heliopolis I
- (incompletely, autograph with few corrections) |
|
D 754 |
Heliopolis II
- (worked on manuscript) |
|
D 754 |
Heliopolis II
- (final stage) |
|
D 755 |
Kyrie für eine Messe in a
- (fragment, worked on manuscript) |
|
D 756 |
Du liebst mich nicht
- [1. Fassung] (autograph with few corrections) |
|
D 757 |
Gott in der Natur
- (worked on manuscript) |
|
D 758 |
Todesmusik
- [1. Fassung] (Copy, incompletely) |
|
D 758 |
Todesmusik
- [1. Fassung] (autograph) |
|
D 762 |
Schwestergruß
- (worked on manuscript) |
|
D 764 |
Der Musensohn
- [1. Fassung] (worked on manuscript) |
|
D 765 |
An die Entfernte
- (autograph with few corrections) |
|
D 766 |
Am Flusse
- [2. Bearbeitung] (autograph with few corrections) |
|
D 767 |
Willkommen und Abschied
- [1. Fassung] (autograph with few corrections) |
|
D 769 |
Zwei Deutsche in A und D für Klavier
- (final stage) |
|
D 769 A |
Sonate in e
- für Klavier (fragment, sketch) |
|
D 778 |
Greisengesang
- [2. Fassung] (final stage) |
|
D 778 |
Greisengesang
- [1. Fassung] (autograph with few corrections) |
|
D 778 B |
Ich hab in mich gesogen
- (fragment, draft) |
|
D 779 |
Valses sentimentales - 9 Tänze: Nr. 1–4, 33 und 34
- für Klavier (worked on manuscript) |
|
D 783/8 |
Deutscher Nr. 8 (aus: 16 Deutsche und zwei Ecossaisen)
- für Klavier (final stage) |
|
D 787 |
Die Verschworenen (Der häusliche Krieg)
- [Nr. 1: Duett, 2. Fassung] (final stage) |
|
D 787 |
Die Verschworenen (Der häusliche Krieg)
- [Singspiel in einem Akt] (incompletely, worked on manuscript) |
|
D 787 |
Die Verschworenen (Der häusliche Krieg)
- [Entwurf zu Nr. 11 Finale] (draft, worked on manuscript) |
|
D 788 |
Lied (Des Lebens Tag ist schwer und schül)
- (incompletely, worked on manuscript) |
|
D 789 |
Pilgerweise
- (worked on manuscript) |
|
D 791 |
Rüdiger
- [Entwürfe für 2 Nummern einer Oper] (fragment, worked on manuscript) |
|
D 793 |
Das Geheimnis
- [2. Bearbeitung] (autograph with few corrections) |
|
D 794 |
Der Pilgrim
- [1. Fassung] (autograph with few corrections) |
|
D 795/7 |
Ungeduld (aus: Die schöne Müllerin)
- (final stage) |
|
D 795/8 |
Morgengruß (aus: Die schöne Müllerin)
- (final stage) |
|
D 795/9 |
Des Müllers Blumen (aus: Die schöne Müllerin)
- (final stage) |
|
D 796 |
Fierrabras
- [Oper in drei Akten] (autograph) |
|
D 796 |
Fierrabras
- [Particell-Entwürfe] (draft) |
|
D 796 |
Fierrabras
- [Partitur-Entwürfe] (draft) |
|
D 797 |
Rosamunde, Fürstin von Cypern
- [Romantisches Schauspiel mit Musik in 4 Akten] (incompletely, final stage) |
|
D 797 |
Rosamunde, Fürstin von Cypern
- [Romantisches Schauspiel mit Musik in 4 Akten] (final stage, incompletely) |
|
D 802 |
Variationen in e für Flöte und Klavier
- über das Lied "Trockne Blumen" (final stage) |
|
D 803 |
Oktett in F
- (worked on manuscript) |
|
D 808 |
Gondelfahrer
- (worked on manuscript) |
|
D 811 |
Salve Regina in C
- (worked on manuscript) |
|
D 815 |
Gebet
- Du Urquell aller Güte (worked on manuscript) |
|
D 816 |
Drei Ecossaisen für Klavier
- (final stage) |
|
D 826 |
Der Tanz
- (autograph with few corrections) |
|
D 833 |
Der blinde Knabe
- [1. Fassung] (worked on manuscript) |
|
D 840 |
Sonate in C
- für Klavier (incompletely, worked on manuscript) |
|
D 842 |
Totengräbers Heimwehe
- (worked on manuscript) |
|
D 847 |
Trinklied aus dem 16. Jahrhundert
- (worked on manuscript) |
|
D 848 |
Nachtmusik
- (final stage) |
|
D 850 |
Sonate in D
- für Klavier (worked on manuscript) |
|
D 851 |
Das Heimweh
- [2. Fassung] (worked on manuscript, incompletely) |
|
D 851 |
Das Heimweh
- [1. Fassung] (worked on manuscript) |
|
D 854 |
Fülle der Liebe
- (worked on manuscript) |
|
D 855 |
Wiedersehn
- (autograph with few corrections) |
|
D 865 |
Widerspruch
- (final stage) |
|
D 870 |
Der Wanderer an den Mond
- (autograph) |
|
D 871 |
Das Zügenglöcklein
- [1. Fassung] (final stage) |
|
D 872 |
Gesänge zur Feier des heiligen Opfers der Messe
- Deutsche Messe (final stage) |
|
D 872 |
Gesänge zur Feier des heiligen Opfers der Messe
- Deutsche Messe [1. Fassung] (incompletely, worked on manuscript) |
|
D 873 |
Kanon zu 6 Stimmen in A
- [Entwurf ohne Text] (worked on manuscript, fragment) |
|
D 873 A |
Nachklänge
- [Entwurf zu einem Quartett] (fragment) |
|
D 875 |
Mondenschein
- (worked on manuscript) |
|
D 875 |
Mondenschein
- (worked on manuscript) |
|
D 877 |
Gesänge aus "Wilhelm Meister"
- [4. Bearbeitung]; [2. Bearbeitung]; [3. Bearbeitung] (draft) |
|
D 877 |
Gesänge aus "Wilhelm Meister" IV
- [5. Bearbeitung] (worked on manuscript) |
|
D 879 |
Sehnsucht
- (incompletely, final stage) |
|
D 880 |
Im Freien
- (worked on manuscript) |
|
D 881 |
Fischerweise
- [1. Fassung] (autograph with few corrections) |
|
D 884 |
Über Wildemann
- (final stage) |
|
D 887 |
Streichquartett in G
- (worked on manuscript) |
|
D 888 |
Trinklied
- (autograph with few corrections) |
|
D 889 |
Ständchen
- (worked on manuscript) |
|
D 890 |
Hippolits Lied
- (worked on manuscript) |
|
D 891 |
Gesang (Was ist Silvia, saget an)
- (worked on manuscript) |
|
D 892 |
Nachthelle
- (worked on manuscript) |
|
D 893 |
Grab und Mond
- (worked on manuscript) |
|
D 896 |
Fröhliches Scheiden
- (draft) |
|
D 896 A |
Sie in jedem Liede
- (draft) |
|
D 896 B |
Wolke und Quelle
- (draft) |
|
D 897 |
Trio in Es für Klavier, Violine und Violoncello
- (worked on manuscript) |
|
D 899/1 |
Vier Impromptus für Klavier
- [Entwurf zu Nr. 1] (draft) |
|
D 900 |
Allegretto in c
- für Klavier (fragment, worked on manuscript) |
|
D 901 |
Wein und Liebe
- (worked on manuscript) |
|
D 902/2 |
Drei Gesänge für Bassstimme mit Klavier, Nr. 2: Il traditor deluso
- [2. Bearbeitung] (incompletely, draft) |
|
D 903 |
Zur guten Nacht
- (worked on manuscript) |
|
D 904 |
Alinde
- (autograph with few corrections) |
|
D 905 |
An die Laute
- (final stage) |
|
D 907 |
Romanze des Richard Löwenherz
- [1. Fassung] (partial autograph, worked on manuscript) |
|
D 908 |
Variationen über ein Thema aus der Oper: "Marie" von Hérold
- für Klavier zu 4 Händen (worked on manuscript) |
|
D 911 |
Winterreise
- (partial autograph, incompletely, copy of a different hand with autograph entries) |
|
D 912 |
Schlachtlied
- [Entwurf zur 1. Niederschrift] (fragment) |
|
D 914 |
Frühlingslied
- (worked on manuscript) |
|
D 916 |
Das stille Lied
- (incompletely, draft) |
|
D 916 A |
Liedentwurf in C
- ohne Text (draft) |
|
D 916 B |
Klavierstück in C
- (draft) |
|
D 916 C |
Klavierstück in c
- (draft) |
|
D 918 |
Der Graf von Gleichen
- [Oper in zwei Akten] (fragment, draft) |
|
D 920 |
Ständchen
- [1. Fassung] (final stage) |
|
D 930 |
Der Hochzeitsbraten
- (worked on manuscript) |
|
D 931 |
Der Wallensteiner Lanzknecht beim Trunk
- (worked on manuscript) |
|
D 932 |
Der Kreuzzug
- (autograph with few corrections) |
|
D 933 |
Des Fischers Liebesglück
- (incompletely, autograph) |
|
D 934 |
Fantasie in C
- für Violine und Klavier (worked on manuscript) |
|
D 935 |
Vier Impromptus für Klavier
- [Entwurf zu Nr. 1] (draft) |
|
D 936 |
Kantate für Irene von Kiesewetter
- Al par del ruscelletto (autograph with few corrections) |
|
D 936 A |
Entwürfe zu einer Sinfonie in D
- (draft) |
|
D 940 |
Fantasie in f für Klavier zu 4 Händen
- (final stage) |
|
D 942 |
Mirjams Siegesgesang
- (draft, incompletely) |
|
D 946 |
Drei Klavierstücke
- [Nr. I und II] (worked on manuscript) |
|
D 946 |
Drei Klavierstücke
- [Nr. III] (worked on manuscript) |
|
D 948 |
Hymnus an den heiligen Geist
- (draft) |
|
D 948 |
Hymnus an den heiligen Geist
- [2. Fassung] (final stage) |
|
D 948 |
Hymnus an den heiligen Geist
- [1. Fassung] (draft) |
|
D 948 |
Hymnus an den heiligen Geist
- [1. Fassung] (worked on manuscript) |
|
D 950 |
Messe in Es
- (draft) |
|
D 950 |
Messe in Es
- [Entwürfe] (worked on manuscript) |
|
D 950 |
Messe in Es
- (final stage) |
|
D 951 |
Rondo in A für Klavier zu 4 Händen
- (worked on manuscript) |
|
D 954 |
Glaube, Hoffnung und Liebe
- [alternative Bläserbegleitung] (worked on manuscript) |
|
D 954 |
Glaube, Hoffnung und Liebe
- [Chor mit Klavier] (final stage) |
|
D 954 |
Glaube, Hoffnung und Liebe
- [unbegleiteter Vokalsatz] (autograph with few corrections) |
|
D 955 |
Glaube, Hoffnung und Liebe
- (worked on manuscript) |
|
D 958 |
Sonate in c
- für Klavier (incompletely, draft) |
|
D 959 |
Sonate in A
- für Klavier (draft) |
|
D 959 |
Sonate in A
- für Klavier (final stage, incompletely) |
|
D 960 |
Sonate in B
- für Klavier (incompletely, draft) |
|
D 960 |
Sonate in B
- für Klavier (draft) |
|
D 962 |
Tantum ergo in Es
- (draft) |
|
D 962 |
Tantum ergo in Es
- (final stage) |
|
D 963 |
Tenor-Arie mit Chor (Intende voci)
- (worked on manuscript) |
|
D 963 |
Tenor-Arie mit Chor (Intende voci)
- (worked on manuscript, incompletely) |
|
D 965 |
Der Hirt auf dem Felsen
- (incompletely, draft) |
|
D 965 A |
Die Taubenpost
- [Zyklus: Schwanengesang] (draft) |
|
D 968 |
Allegro moderato in C und Andante in a für Klavier zu 4 Händen
- (worked on manuscript) |
|
D 982 |
Entwürfe für eine Oper
- (fragment, draft) |
|
D 984 |
Der Wintertag
- (worked on manuscript) |
|
D 990 |
Der Graf von Habsburg
- (autograph with few corrections) |
|
D 990 A |
Kaiser Maximilian auf der Martinswand in Tirol
- (autograph) |
|
D 990 E |
L'incanto degli occhi
- [1. Bearbeitung, nur Melodiestimme] (draft) |
|
D 990 F |
Il traditor deluso
- [nur Melodiestimme] (draft) |
|
Anhang I,11 |
Allegro in G und Menuett in C
- für Klavier (manuscript not by Schubert's hand) |
|
Anhang I,15 |
Menuett mit Trio in D
- für Klavier (manuscript not by Schubert's hand) |
|
Anhang I,32 |
Generalbassübungen
- (partial autograph) |
|
Anhang II,3 |
Christoph Willibald Gluck: Arie aus "Echo et Narcisse"
- (final stage) |
|
Anhang II,3 |
Christoph Willibald Gluck: Arie aus "Echo et Narcisse"
- (final stage) |
|
Anhang III,1 |
Michael Haydn und andere Komponisten: Neun Kanons
- (worked on manuscript) |
|
Anhang III,6 |
Joseph Preindl: Offertorium in C (Clamavi ad te), op. 16
- (incompletely) |
|
Anhang III,8 |
Ludwig van Beethoven: Sinfonie Nr. 4 in B op. 60
- (incompletely) |
|
Anhang III,13 |
Ludwig van Beethoven: Abendlied unter gestirntem Himmel, WoO 150
- (incompletely, partial autograph) |
|
D deest |
Arie für Bass
- (draft) |
|
D deest |
Scherz-Terzett
- (draft) |
|
D deest |
Thema zu einem Menuett
- (draft) |
|
D deest |
Thema zu einem Menuett
- (draft) |
|
D deest |
Entwurf zu einer Komposition für Singstimmen und Orchester?
- (sketch) |
|
D deest |
Themenentwurf (a-Moll)?
- (sketch) |
|
D deest |
Themenentwurf
- (draft) |
|
D deest |
Klavierstück ? (F-Dur)
- (fragment, draft) |
|
D deest |
Fuge (F-Dur)
- (draft) |
|
D deest |
Skizze zu einer Komposition
- (sketch) |
|
D deest |
Entwurf zu einer Komposition für Orchester?
- (sketch) |
|
D deest |
Fragment einer Komposition
- (sketch) |
|
D deest |
Fragment einer Komposition für Violine?
- (sketch) |
|
D deest |
Thema zu einer Tanzkomposition ?
- (sketch) |
|
D deest |
Imitationsstudien
- (draft) |
|
D deest |
Canon a tre in B-Dur
- (fragment) |
|
D deest (D 2 G) |
Ouvertüre in D
- (fragment) |
|
D deest (D 74 A) |
Fragment eines Orchesterstücks in D
- (fragment) |
