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D 17
|
Quell' innocente figlio - (worked on manuscript) |
D 33
|
Entra l'uomo allor che nasce. Arie - (worked on manuscript) |
D 33
|
Entra l'uomo allor che nasce. Arie - (worked on manuscript, draft) |
D 34
|
Te solo adoro - [2. Fassung] (incompletely) |
D 35
|
Serbate, o Dei custodi - (worked on manuscript) |
D 35
|
Serbate, o Dei custodi - (worked on manuscript) |
D 76
|
Pensa, che questo istante - [1. Fassung] (worked on manuscript) |
D 76
|
Pensa, che questo istante - [2. Fassung] (autograph with few corrections) |
D 78
|
Son fra l'onde - (autograph with few corrections) |
D 510
|
Vedi quanto adoro - [4. Fassung] (final stage) |
D 510
|
Vedi quanto adoro - [1. Fassung] (draft) |
D 510
|
Vedi quanto adoro - [3. Fassung] (worked on manuscript, incompletely) |
D 510
|
Vedi quanto adoro - [2. Fassung] (draft) |
D 513
|
La pastorella al prato - (worked on manuscript) |
D 528
|
La pastorella al prato - (final stage) |
D 688,1
|
Vier Canzonen für eine Singstimme mit Klavierbegleitung - (autograph) |
D 902/2
|
Drei Gesänge für Bassstimme mit Klavier, Nr. 2: Il traditor deluso - [2. Bearbeitung] (incompletely, draft) |
D E
|
L'incanto degli occhi - [1. Bearbeitung, nur Melodiestimme] (draft) |
D F
|
Il traditor deluso - [nur Melodiestimme] (draft) |
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