D-No.
| Title
|
|
D 576 |
13 Variationen über ein Thema von Anselm Hüttenbrenner in a - für Klavier (worked on manuscript) |
|
D 146 |
17 Deutsche - für Klavier (final stage) |
|
D 618 |
2 Deutsche ohne Trios - (final stage) |
|
D 365/3 |
2 Walzer - (final stage) |
|
D 41 |
30 Menuette mit Trios - für Klavier (incompletely, worked on manuscript) |
|
D 37 A |
4 Fugenentwürfe für Klavier - (fragment, draft) |
|
D 365 |
7 Deutsche-Walzer - für Klavier (final stage) |
|
D 145 |
7 Walzer (Deutsche) - für Klavier (final stage) |
|
D 495 |
Abendlied der Fürstin - (autograph with few corrections) |
|
D 235 |
Abends unter der Linde - [1. Bearbeitung] (autograph with few corrections) |
|
D 237 |
Abends unter der Linde - [2. Bearbeitung, 1. Fassung] (autograph with few corrections) |
|
D 406 |
Abschied von der Harfe - [2. Fassung] (final stage) |
|
D 378 |
Acht Ländler in B - für Klavier (final stage) |
|
D 355 |
Acht Ländler in fis - für Violine (?) (final stage) |
|
D 624 |
Acht Variationen über ein französisches Lied in e - (print) |
|
D 349 |
Adagio in C - für Klavier (fragment, worked on manuscript) |
|
D 178 |
Adagio in G - für Klavier [1. Fassung] (worked on manuscript) |
|
D 178 |
Adagio in G - für Klavier [2. Fassung] (incompletely, worked on manuscript) |
|
D 211 |
Adelwold und Emma - (worked on manuscript) |
|
D 137 |
Adrast - (fragment, worked on manuscript) |
|
D 137 |
Adrast - (worked on manuscript, fragment) |
|
D 732, Nr. 13 |
Alfonso und Estrella Nr. 13: Wenn ich dich, Holde, sehe - (final stage) |
|
D 732, Nr. 8 |
Alfonso und Estrella Nr. 8: Doch im Getümmel der Schlacht - (final stage) |
|
D 732 |
Alfonso und Estrella - (final stage) |
|
D 904 |
Alinde - (autograph with few corrections) |
|
D 346 |
Allegretto in C - für Klavier (fragment, worked on manuscript) |
|
D 900 |
Allegretto in c - für Klavier (fragment, worked on manuscript) |
|
Anhang I,11 |
Allegro in G und Menuett in C - für Klavier (manuscript not by Schubert's hand) |
|
D 968 |
Allegro moderato in C und Andante in a für Klavier zu 4 Händen - (worked on manuscript) |
|
D 347 |
Allegro moderato in C - für Klavier (fragment, final stage) |
|
D 71 A |
Alleluja in F - (final stage) |
|
D 71 A |
Alleluja in F - (worked on manuscript) |
|
D 366/17 |
Allemande - (final stage) |
|
D 241 |
Alles um Liebe - (final stage) |
|
D 241 |
Alles um Liebe - (worked on manuscript) |
|
D 477 |
Alte Liebe rostet nie - (autograph with few corrections) |
|
D 361 |
Am Bach im Frühlinge - [2. Fassung] (autograph with few corrections) |
|
D 160 |
Am Flusse - [1. Bearbeitung] (autograph with few corrections) |
|
D 766 |
Am Flusse - [2. Bearbeitung] (autograph with few corrections) |
|
D 124 |
Am See (Sitz ich im Gras) - [1. Fassung] (incompletely, worked on manuscript) |
|
D 746 |
Am See - (autograph with few corrections) |
|
D 539 |
Am Strome - (incompletely, worked on manuscript) |
|
D 166 |
Amphiaraos - (worked on manuscript) |
|
D 113 |
An Emma - [1. Fassung] (incompletely, final stage) |
|
D 115 |
An Laura, als sie Klopstocks Auferstehungslied sang - (worked on manuscript) |
|
D 161 |
An Mignon - [1. Fassung] (autograph with few corrections) |
|
D 161 |
An Mignon - [1. Fassung] (fragment, final stage) |
|
D 288 |
An Sie - (worked on manuscript) |
|
D 338 |
An den Frühling - (final stage) |
|
D 587 |
An den Frühling - [2. Bearbeitung, 2. Fassung] (final stage) |
|
D 311 |
An den Mond - (draft) |
|
D 468 |
An den Mond - (worked on manuscript) |
|
D 193 |
An den Mond - [1. Fassung] (autograph with few corrections) |
|
D 296 |
An den Mond - [2. Bearbeitung] (autograph with few corrections) |
|
D 765 |
An die Entfernte - (autograph with few corrections) |
|
D 303 |
An die Geliebte - (autograph with few corrections) |
|
D 905 |
An die Laute - (final stage) |
|
D 372 |
An die Natur - [1. Fassung] (worked on manuscript) |
|
D 439 |
An die Sonne - (worked on manuscript) |
|
D 457 |
An die untergehende Sonne - (fragment, draft) |
|
D 29 |
Andante in C - für Klavier (worked on manuscript) |
|
D 348 |
Andantino in C - für Klavier (fragment, worked on manuscript) |
|
D deest |
Arie für Bass - (draft) |
|
D 585 |
Atys - (autograph with few corrections) |
|
D 585 |
Atys - [Abschrift ab T. 83] (Copy, incompletely) |
|
D 151 |
Auf einen Kirchhof - (worked on manuscript) |
|
D 147 |
Bardengesang - (worked on manuscript) |
|
D 669 |
Beim Winde - (autograph with few corrections) |
|
D 407 |
Beitrag zur fünfzigjährigen Jubelfeier des Herrn Salieri - [1. Fassung] (worked on manuscript) |
|
D 105 |
Benedictus - [Entwurf] (incompletely, draft) |
|
D 268 |
Bergknappenlied - (final stage) |
|
D 431 |
Blumenlied - (autograph with few corrections) |
|
D 258 |
Bundeslied - (final stage) |
|
D deest |
Canon a tre in B-Dur - (fragment) |
|
Anhang II,3 |
Christoph Willibald Gluck: Arie aus "Echo et Narcisse" - (final stage) |
|
Anhang II,3 |
Christoph Willibald Gluck: Arie aus "Echo et Narcisse" - (final stage) |
|
D 282 |
Cronnan - [1. Fassung] (incompletely, worked on manuscript) |
|
D 236 |
Das Abendrot - (worked on manuscript, draft) |
|
D 598 |
Das Dörfchen - [1. Fassung] (autograph, draft) |
|
D 219 |
Das Finden - (autograph with few corrections) |
|
D 219 |
Das Finden - (final stage) |
|
D 250 |
Das Geheimnis - [1. Bearbeitung] (worked on manuscript) |
|
D 793 |
Das Geheimnis - [2. Bearbeitung] (autograph with few corrections) |
|
D 569 |
Das Grab - (worked on manuscript) |
|
D 377 |
Das Grab - [1. Fassung] (worked on manuscript) |
|
D 377 |
Das Grab - [2. Fassung (Reinschrift)] (final stage) |
|
D 851 |
Das Heimweh - [1. Fassung] (worked on manuscript) |
|
D 851 |
Das Heimweh - [2. Fassung] (worked on manuscript, incompletely) |
|
D 269 |
Das Leben - [2. Fassung] (worked on manuscript) |
|
D 281 |
Das Mädchen von Inistore - [1. Fassung] (final stage, incompletely) |
|
D 231 |
Das Sehnen - (final stage) |
|
D 871 |
Das Zügenglöcklein - [1. Fassung] (final stage) |
|
D 916 |
Das stille Lied - (incompletely, draft) |
|
D 291 |
Dem Unendlichen - [3. Fassung] (final stage) |
|
D 706 |
Der 23. Psalm - (draft) |
|
D 706 |
Der 23. Psalm - (final stage) |
|
D 221 |
Der Abend - (final stage) |
|
D 588 |
Der Alpenjäger - [1. Fassung] (incompletely, worked on manuscript) |
|
D 622 |
Der Blumenbrief - (autograph with few corrections) |
|
D 225 |
Der Fischer - [2. Fassung] (final stage) |
|
D 693 |
Der Fluß - (incompletely, final stage) |
|
D 402 |
Der Flüchtling - (incompletely, autograph with few corrections) |
|
D 15 |
Der Geistertanz - [1. Bearbeitung] (fragment, draft) |
|
D 15 A |
Der Geistertanz - [2. Bearbeitung] (fragment, draft) |
|
D 494 |
Der Geistertanz - [4. Bearbeitung] (final stage) |
|
D 918 |
Der Graf von Gleichen - [Oper in zwei Akten] (fragment, draft) |
|
D 990 |
Der Graf von Habsburg - (autograph with few corrections) |
|
D 405 |
Der Herbstabend - (draft) |
|
D 405 |
Der Herbstabend - [1. Fassung] (final stage) |
|
D 965 |
Der Hirt auf dem Felsen - (incompletely, draft) |
|
D 930 |
Der Hochzeitsbraten - (worked on manuscript) |
|
D 30 |
Der Jüngling am Bache - [1. Bearbeitung] (final stage) |
|
D 192 |
Der Jüngling am Bache - [2. Bearbeitung] (worked on manuscript) |
|
D 638 |
Der Jüngling am Bache - [3. Bearbeitung, 1. Fassung] (autograph with few corrections) |
|
D 692 |
Der Knabe - (autograph) |
|
D 932 |
Der Kreuzzug - (autograph with few corrections) |
|
D 367 |
Der König in Thule - (final stage) |
|
D 432 |
Der Leidende - [1. Fassung] (autograph with few corrections) |
|
D 764 |
Der Musensohn - [1. Fassung] (worked on manuscript) |
|
D 794 |
Der Pilgrim - [1. Fassung] (autograph with few corrections) |
|
D 536 |
Der Schiffer - (partial autograph) |
|
D 11 |
Der Spiegelritter - [Singspiel] (incompletely, fragment, autograph) |
|
D 11 |
Der Spiegelritter - [Zwischenspiel Nr. 3] (fragment) |
|
D 565 |
Der Strom - (worked on manuscript) |
|
D 565 |
Der Strom - (worked on manuscript) |
|
D 826 |
Der Tanz - (autograph with few corrections) |
|
D 713 |
Der Unglückliche - [1. Fassung] (autograph with few corrections) |
|
D 713 |
Der Unglückliche - [Entwurf] (draft, incompletely) |
|
D 10 |
Der Vatermörder - (final stage) |
|
D 931 |
Der Wallensteiner Lanzknecht beim Trunk - (worked on manuscript) |
|
D 870 |
Der Wanderer an den Mond - (autograph) |
|
D 649 |
Der Wanderer - [1. Fassung] (final stage) |
|
D 271 |
Der Weiberfreund - (autograph with few corrections) |
|
D 984 |
Der Wintertag - (worked on manuscript) |
|
D 320 |
Der Zufriedene - (autograph with few corrections) |
|
D 833 |
Der blinde Knabe - [1. Fassung] (worked on manuscript) |
|
D 699 |
Der entsühnte Orest - (final stage) |
|
D 449 |
Der gute Hirt - (worked on manuscript) |
|
D 190 |
Der vierjährige Posten - [Singspiel in einem Akt] (incompletely, worked on manuscript) |
|
D 707 |
Der zürnenden Diana - [2. Fassung] (final stage) |
|
D 933 |
Des Fischers Liebesglück - (incompletely, autograph) |
|
D 698 |
Des Fräuleins Liebeslauschen - (final stage) |
|
D 389 |
Des Mädchens Klage - (fragment) |
|
D 6 |
Des Mädchens Klage - [1. Bearbeitung] (autograph with few corrections) |
|
D 191 |
Des Mädchens Klage - [2. Bearbeitung, 1. Fassung] (worked on manuscript) |
|
D 795/9 |
Des Müllers Blumen (aus: Die schöne Müllerin) - (final stage) |
|
D 84 |
Des Teufels Lustschloß - [1. Fassung, Fragment eines Orchestersatzes zu einer Szene aus dem III. Akt] (worked on manuscript, fragment) |
|
D 84 |
Des Teufels Lustschloß - [1. Fassung, revidierte Niederschrift] (fragment, worked on manuscript) |
|
D 84 |
Des Teufels Lustschloß - [2. Fassung, Akt I, III] (final stage) |
|
D 84 |
Des Teufels Lustschloß - [2. Fassung, Fragmente aus Nr. 13 und 14, Akt II] (fragment, worked on manuscript) |
|
D 84 |
Des Teufels Lustschloß - [verworfene 2. Fassung, frühere Version des Finale zum III. Akt, Nr. 23] (fragment) |
|
D 783/8 |
Deutscher Nr. 8 (aus: 16 Deutsche und zwei Ecossaisen) - für Klavier (final stage) |
|
D 618 |
Deutscher in G mit 2 Trios und 2 Ländler in E - für Klavier zu 4 Händen (autograph with few corrections) |
|
D 722 |
Deutscher in Ges, 7 Deutsche-Walzer - für Klavier (final stage) |
|
D 365/3 |
Deutscher - (final stage) |
|
D 379 |
Deutsches Salve Regina in F - (worked on manuscript) |
|
D 37 |
Die Advokaten, op. 74 - Terzett für 2 Tenöre, Basso (fragment) |
|
D 37 |
Die Advokaten - (incompletely, final stage) |
|
D 104 |
Die Befreier Europas in Paris - [1. Fassung (gestrichen), 2. Fassung] (worked on manuscript) |
|
D 104 |
Die Befreier Europas in Paris - [3. Fassung] (worked on manuscript) |
|
D 102 |
Die Betende - (incompletely, draft) |
|
D 435 |
Die Bürgschaft - [Nr. 13: Räuberlied] (final stage) |
|
D 435 |
Die Bürgschaft - [Oper in drei Akten] (worked on manuscript) |
|
D 337 |
Die Einsiedelei - (final stage) |
|
D 563 |
Die Einsiedelei - [2. Bearbeitung] (autograph with few corrections) |
|
D 326 |
Die Freunde von Salamanka - Komisches Singsiel in zwei Akten (final stage) |
|
D 444 |
Die Gestirne - (autograph with few corrections) |
|
D 404 |
Die Herbstnacht - (final stage) |
|
D 308 |
Die Macht der Liebe - (autograph with few corrections) |
|
D 194 |
Die Mainacht - (worked on manuscript) |
|
D 238 |
Die Mondnacht - (autograph with few corrections) |
|
D 208 |
Die Nonne - [1. Fassung] (fragment, autograph with few corrections, incompletely) |
|
D 208 |
Die Nonne - [1. Fassung] (incompletely, autograph with few corrections) |
|
D 208 |
Die Nonne - [2. Fassung] (worked on manuscript) |
|
D 745 |
Die Rose - [2. Fassung] (partial autograph, final stage, Copy) |
|
D 387 |
Die Schlacht - [2. Bearbeitung] (draft) |
|
D 289 A |
Die Sommernacht - [1. Fassung] (worked on manuscript) |
|
D 247 |
Die Spinnerin - (final stage) |
|
D 670 |
Die Sternennächte - [1. Fassung] (autograph with few corrections, incompletely) |
|
D 307 |
Die Sternwelten - (autograph with few corrections) |
|
D 965 A |
Die Taubenpost - [Zyklus: Schwanengesang] (draft) |
|
D 230 |
Die Täuschung - (final stage) |
|
D 787 |
Die Verschworenen (Der häusliche Krieg) - [Entwurf zu Nr. 11 Finale] (draft, worked on manuscript) |
|
D 787 |
Die Verschworenen (Der häusliche Krieg) - [Nr. 1: Duett, 2. Fassung] (final stage) |
|
D 787 |
Die Verschworenen (Der häusliche Krieg) - [Singspiel in einem Akt] (incompletely, worked on manuscript) |
|
D 691 |
Die Vögel - (final stage) |
|
D 644 |
Die Zauberharfe - [Entwürfe zu Nr. 1, 2, 4] (draft) |
|
D 644 |
Die Zauberharfe - [Entwürfe zu Nr. 1, 5] (draft) |
|
D 644 |
Die Zauberharfe - [Finale II.; Chor der Genien, Nr. 9b] (draft) |
|
D 644 |
Die Zauberharfe - [Romanze des Palmerin, Nr. 9a] (fragment) |
|
D 644 |
Die Zauberharfe - [Variante zu Nr. 3] (draft) |
|
D 644 |
Die Zauberharfe - [Zauberspiel mit Musik in drei Akten] (autograph) |
|
D 329 |
Die drei Sänger - (fragment, worked on manuscript) |
|
D 712 |
Die gefangenen Sänger - [Entwurf] (incompletely, draft) |
|
D 409 |
Die verfehlte Stunde - [2. Fassung] (final stage) |
|
D 71 |
Die zwei Tugendwege - (final stage) |
|
D 47 |
Dithyrambe - [1. Bearbeitung] (draft, incompletely) |
|
D 47 |
Dithyrambe - [1. Bearbeitung] (draft, incompletely) |
|
D 93/1 |
Don Gayseros - (autograph with few corrections) |
|
D 93/3 |
Don Gayseros - (final stage, fragment) |
|
D 93/2 |
Don Gayseros - (worked on manuscript, fragment) |
|
D 105 (früher D 185) |
Dona nobis pacem (F-Dur) - [2. Bearbeitung] (worked on manuscript) |
|
D 816 |
Drei Ecossaisen für Klavier - (final stage) |
|
D 902/2 |
Drei Gesänge für Bassstimme mit Klavier, Nr. 2: Il traditor deluso - [2. Bearbeitung] (incompletely, draft) |
|
D 459 A/3 |
Drei Klavierstücke - [Nr. 3] (incompletely, worked on manuscript) |
|
D 946 |
Drei Klavierstücke - [Nr. I und II] (worked on manuscript) |
|
D 946 |
Drei Klavierstücke - [Nr. III] (worked on manuscript) |
|
D 380 |
Drei Menuette mit je zwei Trios - für Klavier (fragment, final stage) |
|
D 70 |
Dreifach ist der Schritt der Zeit, Spruch des Konfuzius - [3. Bearbeitung] (fragment, worked on manuscript) |
|
D 756 |
Du liebst mich nicht - [1. Fassung] (autograph with few corrections) |
|
D 145/8 |
Eccossaise in gis - für Klavier (final stage) |
|
D 511 |
Ecossaise in Es - für Klavier (final stage) |
|
D 374 |
Elf Ländler in B - für Violine (final stage) |
|
D 584 |
Elysium - (incompletely, worked on manuscript) |
|
D 33 |
Entra l'uomo allor che nasce. Arie - (worked on manuscript) |
|
D 33 |
Entra l'uomo allor che nasce. Arie - (worked on manuscript, draft) |
|
D 33 |
Entra l'uomo allor che nasce - (worked on manuscript) |
|
D 33 |
Entra l'uomo allor che nasce - [1. Fassung (g-Moll)} (worked on manuscript) |
|
D 33 |
Entra l'uomo allor che nasce - [2. Fassung (g-Moll)] (worked on manuscript) |
|
D 33 |
Entra l'uomo allor che nasce - [3. Fassung (G-Dur)] (worked on manuscript) |
|
D deest |
Entwurf zu einer Komposition für Orchester? - (sketch) |
|
D deest |
Entwurf zu einer Komposition für Singstimmen und Orchester? - (sketch) |
|
D 982 |
Entwürfe für eine Oper - (fragment, draft) |
|
D 615 |
Entwürfe für zwei Sätze einer Sinfonie in D - (draft) |
|
D 708 A |
Entwürfe zu einer Sinfonie in D - (draft) |
|
D 936 A |
Entwürfe zu einer Sinfonie in D - (draft) |
|
D 577 |
Entzückung an Laura - [2. Bearbeitung] (fragment, worked on manuscript) |
|
D 577 |
Entzückung an Laura - [2. Bearbeitung] (worked on manuscript, fragment) |
|
D 98 |
Erinnerungen - [1. Fassung] (fragment, draft) |
|
D 586 |
Erlafsee - (autograph with few corrections) |
|
D 328 |
Erlkönig - [2. Fassung] (final stage) |
|
D 226 |
Erster Verlust - (final stage) |
|
D 607 |
Evangelium Johannis 6, Vers 55–58 - (partial autograph, incompletely, worked on manuscript) |
|
D 605 |
Fantasie in C - für Klavier (fragment, worked on manuscript) |
|
D 934 |
Fantasie in C - für Violine und Klavier (worked on manuscript) |
|
D 1 |
Fantasie in G für Klavier zu 4 Händen - (fragment, final stage) |
|
D 1 |
Fantasie in G für Klavier zu 4 Händen - [Finalsatz] (final stage, fragment) |
|
D 48 |
Fantasie in c für Klavier zu 4 Händen - (worked on manuscript) |
|
D 940 |
Fantasie in f für Klavier zu 4 Händen - (final stage) |
|
D 9 |
Fantasie in g für Klavier zu 4 Händen - (final stage, fragment) |
|
D 9 |
Fantasie in g für Klavier zu 4 Händen - (fragment, final stage) |
|
D 220 |
Fernando - Singspiel in einem Akt (final stage) |
|
D 796 |
Fierrabras - [Oper in drei Akten] (autograph) |
|
D 796 |
Fierrabras - [Particell-Entwürfe] (draft) |
|
D 796 |
Fierrabras - [Partitur-Entwürfe] (draft) |
|
D 562 |
Fischerlied - [2. Bearbeitung] (worked on manuscript) |
|
D 881 |
Fischerweise - [1. Fassung] (autograph with few corrections) |
|
D 450 |
Fragment aus dem Aeschylus - [1. Fassung] (worked on manuscript) |
|
D deest |
Fragment einer Komposition für Violine? - (sketch) |
|
D deest |
Fragment einer Komposition - (sketch) |
|
D 94 A |
Fragment eines Orchesterstücks in B - (fragment, worked on manuscript) |
|
D deest (D 74 A) |
Fragment eines Orchesterstücks in D - (fragment) |
|
D 71 C |
Fragment eines Orchesterstücks in D - (fragment, worked on manuscript) |
|
D 700 |
Freiwilliges Versinken - (worked on manuscript) |
|
D 896 |
Fröhliches Scheiden - (draft) |
|
D 686 |
Frühlingsglaube - [2. Fassung] (final stage) |
|
D 914 |
Frühlingslied - (worked on manuscript) |
|
D 24 D |
Fuga in C - für Klavier (worked on manuscript, fragment) |
|
D deest |
Fuge (F-Dur) - (draft) |
|
D 13 |
Fuge in d - vermutlich für Klavier (final stage) |
|
D 41 A |
Fuge in e - für Klavier (?) (fragment, draft) |
|
D 71 B |
Fuge in e - für Klavier (final stage, fragment) |
|
D 71 B |
Fuge in e - für Klavier (fragment, draft) |
|
D 854 |
Fülle der Liebe - (worked on manuscript) |
|
D 815 |
Gebet - Du Urquell aller Güte (worked on manuscript) |
|
D 719 |
Geheimes - (autograph with few corrections) |
|
D 233 |
Geist der Liebe - (final stage) |
|
D 142 |
Geistes-Gruß - [2. Fassung] (final stage) |
|
Anhang I,32 |
Generalbassübungen - (partial autograph) |
|
D 891 |
Gesang (Was ist Silvia, saget an) - (worked on manuscript) |
|
D 484 |
Gesang der Geister über den Wassern - (incompletely, draft, fragment) |
|
D 714 |
Gesang der Geister über den Wassern - [1. Fassung] (worked on manuscript) |
|
D 714 |
Gesang der Geister über den Wassern - [2. Fassung] (final stage) |
|
D 877 |
Gesänge aus "Wilhelm Meister" IV - [5. Bearbeitung] (worked on manuscript) |
|
D 877 |
Gesänge aus "Wilhelm Meister" - [4. Bearbeitung]; [2. Bearbeitung]; [3. Bearbeitung] (draft) |
|
D 478 |
Gesänge des Harfners aus "Wilhelm Meister" - [2. Bearbeitung, 1. Fassung] (autograph with few corrections) |
|
D 872 |
Gesänge zur Feier des heiligen Opfers der Messe - Deutsche Messe (final stage) |
|
D 872 |
Gesänge zur Feier des heiligen Opfers der Messe - Deutsche Messe [1. Fassung] (incompletely, worked on manuscript) |
|
D 955 |
Glaube, Hoffnung und Liebe - (worked on manuscript) |
|
D 954 |
Glaube, Hoffnung und Liebe - [Chor mit Klavier] (final stage) |
|
D 954 |
Glaube, Hoffnung und Liebe - [alternative Bläserbegleitung] (worked on manuscript) |
|
D 954 |
Glaube, Hoffnung und Liebe - [unbegleiteter Vokalsatz] (autograph with few corrections) |
|
D 808 |
Gondelfahrer - (worked on manuscript) |
|
D 757 |
Gott in der Natur - (worked on manuscript) |
|
D 893 |
Grab und Mond - (worked on manuscript) |
|
D 616 |
Grablied für die Mutter - (worked on manuscript) |
|
D 218 |
Grablied - (autograph with few corrections) |
|
D 778 |
Greisengesang - [1. Fassung] (autograph with few corrections) |
|
D 778 |
Greisengesang - [2. Fassung] (final stage) |
|
D 118 |
Gretchen am Spinnrade - (final stage) |
|
D 118 |
Gretchen am Spinnrade - (fragment, final stage) |
|
D 407 |
Gütigster, Bester, Weisester - [1. Bearbeitung] (worked on manuscript) |
|
D 325 |
Harfenspieler (Wer sich der Einsamkeit ergibt) - [1. Bearbeitung] (worked on manuscript, incompletely) |
|
D 478 |
Harfenspieler II (An die Türen will ich schleichen) - [1. Fassung] (incompletely, worked on manuscript) |
|
D 478 |
Harfenspieler II (An die Türen will ich schleichen) - [1. Fassung] (worked on manuscript, incompletely) |
|
D 478 |
Harfenspieler III (Wer nie sein Brot mit Thränen aß) - [1. Bearbeitung, nur Melodiestimme] (incompletely, draft) |
|
D 478 |
Harfenspieler III (Wer nie sein Brot mit Thränen aß) - [1. Bearbeitung] (worked on manuscript) |
|
D 478 |
Harfenspieler III (Wer nie sein Brot mit Thränen aß) - [2. Bearbeitung] (worked on manuscript) |
|
D 257 |
Heidenröslein - (final stage) |
|
D 753 |
Heliopolis I - (incompletely, autograph with few corrections) |
|
D 754 |
Heliopolis II - (final stage) |
|
D 754 |
Heliopolis II - (worked on manuscript) |
|
D 322 |
Hermann und Thusnelda - [1. Fassung] (worked on manuscript) |
|
D 749 |
Herrn Josef Spaun, Assessor in Linz - (autograph with few corrections) |
|
D 60 |
Hier umarmen sich getreue Gatten - (final stage) |
|
D 890 |
Hippolits Lied - (worked on manuscript) |
|
D 251 |
Hoffnung - [1. Bearbeitung] (autograph with few corrections) |
|
D 295 |
Hoffnung - [1. Fassung] (autograph with few corrections) |
|
D 240 |
Huldigung - (autograph with few corrections) |
|
D 240 |
Huldigung - (final stage) |
|
D 232 |
Hymne an den Unendlichen - (draft) |
|
D 948 |
Hymnus an den heiligen Geist - (draft) |
|
D 948 |
Hymnus an den heiligen Geist - [1. Fassung] (draft) |
|
D 948 |
Hymnus an den heiligen Geist - [1. Fassung] (worked on manuscript) |
|
D 948 |
Hymnus an den heiligen Geist - [2. Fassung] (final stage) |
|
D 552 |
Hänflings Liebeswerbung - [1. Fassung] (worked on manuscript) |
|
D 778 B |
Ich hab in mich gesogen - (fragment, draft) |
|
D 227 |
Idens Nachtgesang - (final stage) |
|
D 990 F |
Il traditor deluso - [nur Melodiestimme] (draft) |
|
D 880 |
Im Freien - (worked on manuscript) |
|
D 710 |
Im Gegenwärtigen Vergangenes - (worked on manuscript) |
|
D deest |
Imitationsstudien - (draft) |
|
D 573 |
Iphigenia - [1. Fassung] (incompletely, autograph with few corrections) |
|
D 728 |
Johanna Sebus - (fragment, worked on manuscript) |
|
Anhang III,6 |
Joseph Preindl: Offertorium in C (Clamavi ad te), op. 16 - (incompletely) |
|
D 215 |
Jägers Abendlied - [1. Bearbeitung] (worked on manuscript) |
|
D 368 |
Jägers Abendlied - [2. Bearbeitung] (final stage) |
|
D 990 A |
Kaiser Maximilian auf der Martinswand in Tirol - (autograph) |
|
D 873 |
Kanon zu 6 Stimmen in A - [Entwurf ohne Text] (worked on manuscript, fragment) |
|
D 936 |
Kantate für Irene von Kiesewetter - Al par del ruscelletto (autograph with few corrections) |
|
D 472 |
Kantate zu Ehren von Josef Spendou - (worked on manuscript) |
|
D 666 |
Kantate zum Geburtstag des Sängers Johann Michael Vogl - (worked on manuscript) |
|
D 323 |
Klage der Ceres - [Fortsetzung] (worked on manuscript, incompletely) |
|
D 323 |
Klage der Ceres - [T. 1–141] (worked on manuscript, incompletely) |
|
D 323 |
Klage der Ceres - [Variante für T. 142–203] (incompletely, worked on manuscript) |
|
D 371 |
Klage - (autograph with few corrections) |
|
D 371 (s. 292) |
Klage - (draft) |
|
D 23 |
Klaglied - (autograph with few corrections) |
|
D deest |
Klavierstück ? (F-Dur) - (fragment, draft) |
|
D 604 |
Klavierstück in A - (worked on manuscript) |
|
D 916 B |
Klavierstück in C - (draft) |
|
D 916 C |
Klavierstück in c - (draft) |
|
D 16 |
Kontrapunktübungen - (draft) |
|
D 25 |
Kontrapunktübungen - (sketch) |
|
D 25 A |
Kontrapunktübungen - (worked on manuscript) |
|
D 755 |
Kyrie für eine Messe in a - (fragment, worked on manuscript) |
|
D 31 |
Kyrie für eine Messe in d - (autograph) |
|
D 49 |
Kyrie für eine Messe in d - (autograph) |
|
D 45 |
Kyrie in B für Chor - (draft) |
|
D 66 |
Kyrie in F - (autograph with few corrections) |
|
D 990 E |
L'incanto degli occhi - [1. Bearbeitung, nur Melodiestimme] (draft) |
|
D 528 |
La pastorella al prato - (final stage) |
|
D 513 |
La pastorella al prato - (worked on manuscript) |
|
D 302 |
Labetrank der Liebe - (autograph with few corrections) |
|
D 388 |
Laura am Klavier - [1. Fassung] (incompletely, worked on manuscript) |
|
D 689 |
Lazarus, oder: Die Feier der Auferstehung - [Szenisches Oratorium in 3 Akten] (fragment, final stage) |
|
D 508 |
Lebenslied - (incompletely, final stage) |
|
D 39 |
Lebenstraum - (fragment) |
|
D 7 |
Leichenfantasie - (final stage) |
|
D 635 |
Leise, leise laßt uns singen - (final stage) |
|
D 222 |
Lieb Minna - (autograph with few corrections) |
|
D 535 |
Lied (Brüder, schrecklich brennt die Träne) - (worked on manuscript) |
|
D 788 |
Lied (Des Lebens Tag ist schwer und schül) - (incompletely, worked on manuscript) |
|
D 403 |
Lied (Ins stille Land) - [1. Fassung] (worked on manuscript) |
|
D 403 |
Lied (Ins stille Land) - [2. Fassung] (final stage) |
|
D 373 |
Lied (Mutter geht durch ihre Kammern) - (worked on manuscript) |
|
D 83 |
Lied Zur Namensfeier des Herrn Andreas Siller - [Entwurf, für Singstimme und Violine] (draft) |
|
D 474 |
Lied des Orpheus, als er in die Hölle ging - [1. Fassung] (incompletely, autograph with few corrections) |
|
D 572 |
Lied im Freien - [Partitur] (worked on manuscript) |
|
D 572 |
Lied im Freien - [Stimmen] (final stage) |
|
D 916 A |
Liedentwurf in C - ohne Text (draft) |
|
D 473 |
Liedesend - [1. Fassung] (worked on manuscript) |
|
D 473 |
Liedesend - [2. Fassung] (final stage) |
|
D 711 |
Lob der Tränen - [1. Fassung] (final stage) |
|
D 327 |
Lorma - (fragment, draft) |
|
D 376 |
Lorma - (incompletely, fragment, worked on manuscript) |
|
Anhang III,13 |
Ludwig van Beethoven: Abendlied unter gestirntem Himmel, WoO 150 - (incompletely, partial autograph) |
|
Anhang III,8 |
Ludwig van Beethoven: Sinfonie Nr. 4 in B op. 60 - (incompletely) |
|
D 319 |
Luisens Antwort - [1. Fassung] (autograph with few corrections) |
|
D 319 |
Luisens Antwort - [2. Fassung] (final stage) |
|
D 486 |
Magnificat in C - [Bassstimme] (partial autograph, incompletely, final stage) |
|
D 549 |
Mahomets Gesang - [1. Bearbeitung] (incompletely, worked on manuscript) |
|
D 215 A |
Meeres Stille - [1. Bearbeitung] (incompletely, worked on manuscript) |
|
D 216 |
Meeres Stille - [2. Bearbeitung] (final stage) |
|
D 305 |
Mein Gruß an den Mai - (autograph with few corrections) |
|
D 541 |
Memnon - (autograph with few corrections) |
|
D 334 |
Menuett in A mit Trio in E - für Klavier (final stage) |
|
D 86 |
Menuett in D für Streichquartett - (worked on manuscript) |
|
D 600 |
Menuett in cis - für Klavier (final stage) |
|
Anhang I,15 |
Menuett mit Trio in D - für Klavier (manuscript not by Schubert's hand) |
|
D 335 |
Menuett mit zwei Trios in E - für Klavier (final stage) |
|
D 678 |
Messe in As - [Entwurf zum Credo] (draft) |
|
D 678 |
Messe in As - [Entwurf zur Fuge Cum Sancto Spiritu] (draft) |
|
D 678 |
Messe in As - [Orgelstimme der 1. Fassung] (final stage) |
|
D 678 |
Messe in As - [Variante der 2. Fassung des Osanna] (autograph) |
|
D 324 |
Messe in B - (copy of a different hand with autograph entries, partial autograph) |
|
D 324 |
Messe in B - (incompletely, autograph) |
|
D 950 |
Messe in Es - (draft) |
|
D 950 |
Messe in Es - (final stage) |
|
D 950 |
Messe in Es - [Entwürfe] (worked on manuscript) |
|
D 105 |
Messe in F - (autograph) |
|
Anhang III,1 |
Michael Haydn und andere Komponisten: Neun Kanons - (worked on manuscript) |
|
D 726 |
Mignon I - [1. Bearbeitung] (worked on manuscript) |
|
D 727 |
Mignon II - [2. Bearbeitung] (worked on manuscript) |
|
D 469 |
Mignon - [1. Bearbeitung] (fragment) |
|
D 469 |
Mignon - [1. Bearbeitung] (fragment) |
|
D 321 |
Mignon - [1. Fassung] (autograph with few corrections) |
|
D 152 |
Minona - (final stage) |
|
D 942 |
Mirjams Siegesgesang - (draft, incompletely) |
|
D 875 |
Mondenschein - (worked on manuscript) |
|
D 875 |
Mondenschein - (worked on manuscript) |
|
D 795/8 |
Morgengruß (aus: Die schöne Müllerin) - (final stage) |
|
D 873 A |
Nachklänge - [Entwurf zu einem Quartett] (fragment) |
|
D 119 |
Nachtgesang (O gib vom weichen Pfühle) - (incompletely, autograph) |
|
D 892 |
Nachthelle - (worked on manuscript) |
|
D 848 |
Nachtmusik - (final stage) |
|
D 752 |
Nachtviolen - (worked on manuscript, incompletely) |
|
D 752 |
Nachtviolen - (worked on manuscript, incompletely) |
|
D 294 |
Namensfeier - (worked on manuscript) |
|
D 188 |
Naturgenuß - (incompletely, worked on manuscript) |
|
D 422 |
Naturgenuß - (worked on manuscript) |
|
D 370 |
Neuen Ländler in D - für Violine (?) (final stage) |
|
D 365 |
Neun Incipits zu Tänzen in A - (autograph) |
|
D 79 |
Nonett in es für Bläser - (autograph with few corrections) |
|
D 513 A |
Nur wer die Liebe kennt - (fragment, draft) |
|
D 162 |
Nähe des Geliebten - [1. Fassung] (worked on manuscript) |
|
D 162 |
Nähe des Geliebten - [2. Fassung] (autograph with few corrections) |
|
D 162 |
Nähe des Geliebten - [2. Fassung] (final stage) |
|
D 72 |
Oktett in F für Bläser - (worked on manuscript) |
|
D 803 |
Oktett in F - (worked on manuscript) |
|
D 548 |
Orest auf Tauris - (worked on manuscript) |
|
D 278 |
Ossians Lied nach dem Falle Nathos - [2. Fassung] (final stage) |
|
D 278 |
Ossians Lied nach dem Tode Nathos - [1. Fassung] (incompletely, worked on manuscript) |
|
D 590 |
Ouvertüre "im italienischen Stile" in D - (final stage) |
|
D 597 |
Ouvertüre im "italienischen Stile" in C - für Klavier zu 4 Händen (final stage) |
|
D 470 |
Ouvertüre in B für Streichquartett - (fragment, worked on manuscript) |
|
D 470 |
Ouvertüre in B - (worked on manuscript) |
|
D deest (D 2 G) |
Ouvertüre in D - (fragment) |
|
D 556 |
Ouvertüre in D - (worked on manuscript) |
|
D 26 |
Ouvertüre in D - (worked on manuscript) |
|
D 8 A |
Ouvertüre in c für Streichquartett - (final stage) |
|
D 648 |
Ouvertüre in e - (worked on manuscript) |
|
D 668 |
Ouvertüre in g - für Klavier zu 4 Händen (final stage) |
|
D 591 |
Ouvertüre - im italienischen Stil (worked on manuscript) |
|
D 551 |
Pax vobiscum - (worked on manuscript) |
|
D 76 |
Pensa, che questo istante - [1. Fassung] (worked on manuscript) |
|
D 76 |
Pensa, che questo istante - [2. Fassung] (autograph with few corrections) |
|
D 467 |
Pflicht und Liebe - (fragment, worked on manuscript) |
|
D 540 |
Philoktet - (incompletely, worked on manuscript) |
|
D 789 |
Pilgerweise - (worked on manuscript) |
|
D 580 |
Polonaise in B für Violine und Orchester - (fragment, final stage) |
|
D 17 |
Quell' innocente figlio - (worked on manuscript) |
|
D 17 |
Quell' innocente figlio - Duetto (worked on manuscript) |
|
D 17 |
Quell' innocente figlio - [1. Fassung (F-Dur)] (worked on manuscript) |
|
D 17 |
Quell' innocente figlio - [1. Fassung (F-Dur)] (worked on manuscript) |
|
D 17 |
Quell' innocente figlio - [2. Fassung (F-Dur)} (worked on manuscript) |
|
D 17 |
Quell' innocente figlio - [2. Fassung (G-Dur)] (worked on manuscript) |
|
D 17 |
Quell' innocente figlio - [3. Fassung (G-Dur)] (worked on manuscript) |
|
D 17 |
Quell' innocente figlio - [3. Fassung (G-Dur)] (worked on manuscript) |
|
D 17 |
Quell' innocente figlio - [4. Fassung (G-Dur)] (worked on manuscript) |
|
D 138 |
Rastlose Liebe - [1. Fassung] |
|
D 907 |
Romanze des Richard Löwenherz - [1. Fassung] (partial autograph, worked on manuscript) |
|
D 114 |
Romanze - [1. Fassung] (final stage) |
|
D 114 |
Romanze - [2. Fassung] (final stage) |
|
D 951 |
Rondo in A für Klavier zu 4 Händen - (worked on manuscript) |
|
D 309 A |
Rondo in C - für Klavier (worked on manuscript, fragment) |
|
D 608 |
Rondo in D für Klavier zu 4 Händen - [1. Fassung] (worked on manuscript) |
|
D 506 |
Rondo in E - für Klavier (incompletely, worked on manuscript) |
|
D 797 |
Rosamunde, Fürstin von Cypern - [Romantisches Schauspiel mit Musik in 4 Akten] (final stage, incompletely) |
|
D 797 |
Rosamunde, Fürstin von Cypern - [Romantisches Schauspiel mit Musik in 4 Akten] (incompletely, final stage) |
|
D 657 |
Ruhe, schönstes Glück der Erde - (worked on manuscript) |
|
D 476 |
Rückweg - (worked on manuscript) |
|
D 791 |
Rüdiger - [Entwürfe für 2 Nummern einer Oper] (fragment, worked on manuscript) |
|
D 701 |
Sacontala - [Oper in drei Akten] (fragment, worked on manuscript) |
|
D 223 |
Salve Regina ("Offertorium") in F - (worked on manuscript) |
|
D 106 |
Salve Regina in B - (worked on manuscript) |
|
D 386 |
Salve Regina in B - für Chor (worked on manuscript) |
|
D 811 |
Salve Regina in C - (worked on manuscript) |
|
D 56 |
Sanctus in B - (final stage) |
|
D 56 |
Sanctus in B - (worked on manuscript) |
|
D deest |
Scherz-Terzett - (draft) |
|
D 570 |
Scherzo in D und Allegro in fis - für Klavier (fragment, worked on manuscript) |
|
D 443 |
Schlachtlied - (worked on manuscript) |
|
D 912 |
Schlachtlied - [Entwurf zur 1. Niederschrift] (fragment) |
|
D 65 |
Schmerz verzerret ihr Gesicht - (incompletely, worked on manuscript) |
|
D 744 |
Schwanengesang (Wie klag ich's aus) - (final stage) |
|
D 318 |
Schwangesang - (autograph with few corrections) |
|
D 762 |
Schwestergruß - (worked on manuscript) |
|
D 121 |
Schäfers Klagelied - [1. Fassung] (final stage) |
|
D 121 |
Schäfers Klagelied - [1. Fassung] (final stage) |
|
D 121 |
Schäfers Klagelied - [2. Fassung] (final stage) |
|
D 696 |
Sechs Antiphonen zur Palmweihe - (worked on manuscript) |
|
D 365 |
Sechs Entwürfe für Tänze - (sketch) |
|
D 52 |
Sehnsucht (Ach, aus dieses Tales Gründen) - [1. Bearbeitung] (worked on manuscript) |
|
D 123 |
Sehnsucht (Was zieht mir das Herz so?) - (final stage) |
|
D 123 |
Sehnsucht (Was zieht mir das Herz so?) - [1. Niederschrift, Takte 14–69] (worked on manuscript, incompletely) |
|
D 123 |
Sehnsucht (Was zieht mir das Herz so?) - [1. Niederschrift, Takte 1–13] (worked on manuscript, incompletely) |
|
D 516 |
Sehnsucht - (fragment, draft) |
|
D 879 |
Sehnsucht - (incompletely, final stage) |
|
D 310 B |
Sehnsucht - [2. Fassung] (final stage) |
|
D 55 |
Selig durch die Liebe - (worked on manuscript) |
|
D 743 |
Selige Welt - (final stage) |
|
D 433 |
Seligkeit - (autograph with few corrections) |
|
D 286 B |
Selma und Selmar - [1. Fassung] (autograph with few corrections) |
|
D 35 |
Serbate, o Dei custodi - (worked on manuscript) |
|
D 35 |
Serbate, o Dei custodi - (worked on manuscript) |
|
D 293 |
Shilric und Vinvela - [1. Fassung] (autograph with few corrections, incompletely) |
|
D 896 A |
Sie in jedem Liede - (draft) |
|
D 417 |
Sinfonie Nr. 4 in c - (sketch) |
|
D 619 |
Sing-Übungen - (final stage) |
|
D deest |
Skizze zu einer Komposition - (sketch) |
|
D 306 |
Skolie - (autograph with few corrections) |
|
D 78 |
Son fra l'onde - (autograph with few corrections) |
|
D 959 |
Sonate in A - für Klavier (draft) |
|
D 959 |
Sonate in A - für Klavier (final stage, incompletely) |
|
D 960 |
Sonate in B - für Klavier (draft) |
|
D 960 |
Sonate in B - für Klavier (incompletely, draft) |
|
D 279 |
Sonate in C - für Klavier (final stage) |
|
D 613 |
Sonate in C - für Klavier (fragment, worked on manuscript) |
|
D 840 |
Sonate in C - für Klavier (incompletely, worked on manuscript) |
|
D 850 |
Sonate in D - für Klavier (worked on manuscript) |
|
D 568 |
Sonate in Des - [1. Fassung in Des] für Klavier (incompletely, final stage) |
|
D 568 |
Sonate in Des - [1. Fassung in Des] für Klavier (incompletely, worked on manuscript) |
|
D 568 |
Sonate in Des - [1. Fassung in Des] für Klavier (incompletely, worked on manuscript) |
|
D 157 |
Sonate in E - für Klavier (final stage) |
|
D 154 |
Sonate in E - für Klavier (final stage, incompletely) |
|
D 459 |
Sonate in E - für Klavier (worked on manuscript, fragment) |
|
D 958 |
Sonate in c - für Klavier (incompletely, draft) |
|
D 655 |
Sonate in cis - für Klavier (fragment, worked on manuscript) |
|
D 566 |
Sonate in e - für Klavier (fragment, final stage) |
|
D 769 A |
Sonate in e - für Klavier (fragment, sketch) |
|
D 571 |
Sonate in fis - für Klavier (fragment, worked on manuscript) |
|
D 629 |
Sonett (Allein, nachdenklich) - (final stage) |
|
D 628 |
Sonett (Apollo, lebet noch dein hold Verlangen) - (final stage) |
|
D 630 |
Sonett (Nunmehr, da Himmel, Erde schweigt) - (autograph with few corrections) |
|
D 410 |
Sprache der Liebe - (worked on manuscript) |
|
D 383 |
Stabat mater (Jesus Christus schwebt am Kreuze) - [Endfassung] (autograph) |
|
D 383 |
Stabat mater (Jesus Christus schwebt am Kreuze) - [Entwürfe zu Nr. 4, 5] (draft) |
|
D 175 |
Stabat mater in g - (final stage) |
|
D 187 |
Stimme der Liebe - [1. Bearbeitung] (autograph with few corrections) |
|
D 36 |
Streichquartett in B - (final stage) |
|
D 68 |
Streichquartett in B - (incompletely) |
|
D 68 |
Streichquartett in B - (worked on manuscript) |
|
D 32 |
Streichquartett in C - (incompletely) |
|
D 46 |
Streichquartett in C - (worked on manuscript) |
|
D 94 |
Streichquartett in D - [1. Niederschrift] (worked on manuscript) |
|
D 94 |
Streichquartett in D - [Stimmenabschrift] (final stage) |
|
D 887 |
Streichquartett in G - (worked on manuscript) |
|
D 18 |
Streichquartett in g/B - (partial autograph) |
|
D 470 |
Streichquartettfassung der Ouvertüre in B - (worked on manuscript, fragment) |
|
D 471 |
Streichtrio in B - (fragment, worked on manuscript) |
|
D 111 A |
Streichtrio in B - (worked on manuscript, fragment) |
|
D 581 |
Streichtrio in B - [1. Fassung] (worked on manuscript) |
|
D 581 |
Streichtrio in B - [2. Fassung] (final stage) |
|
D 677 |
Strophe aus "Die Götter Griechenlands" - [1. + 2. Fassung] (final stage) |
|
D 889 |
Ständchen - (worked on manuscript) |
|
D 920 |
Ständchen - [1. Fassung] (final stage) |
|
D 720 |
Suleika I (Was bedeutet die Bewegung?) - [1. Fassung] (worked on manuscript) |
|
D 126 |
Szene aus "Faust" - [1. Fassung] (final stage) |
|
D 163 |
Sängers Morgenlied - [1. Bearbeitung] (autograph with few corrections) |
|
D 165 |
Sängers Morgenlied - [2. Bearbeitung] (final stage) |
|
D 730 |
Tantum ergo in B - (final stage) |
|
D 962 |
Tantum ergo in Es - (draft) |
|
D 962 |
Tantum ergo in Es - (final stage) |
|
D 34 |
Te solo adoro - [1. Fassung] (worked on manuscript) |
|
D 34 |
Te solo adoro - [2. Fassung] (incompletely) |
|
D 963 |
Tenor-Arie mit Chor (Intende voci) - (worked on manuscript) |
|
D 963 |
Tenor-Arie mit Chor (Intende voci) - (worked on manuscript, incompletely) |
|
D 73 |
Thekla (eine Geisterstimme) - [1. Bearbeitung] (autograph with few corrections) |
|
D deest |
Thema zu einem Menuett - (draft) |
|
D deest |
Thema zu einem Menuett - (draft) |
|
D deest |
Thema zu einer Tanzkomposition ? - (sketch) |
|
D deest |
Themenentwurf (a-Moll)? - (sketch) |
|
D deest |
Themenentwurf - (draft) |
|
D 62 |
Thronend auf erhabnem Sitz - (incompletely, final stage) |
|
D 234 |
Tischlied - (final stage) |
|
D 758 |
Todesmusik - [1. Fassung] (Copy, incompletely) |
|
D 758 |
Todesmusik - [1. Fassung] (autograph) |
|
D 842 |
Totengräbers Heimwehe - (worked on manuscript) |
|
D 847 |
Trinklied aus dem 16. Jahrhundert - (worked on manuscript) |
|
D 888 |
Trinklied - (autograph with few corrections) |
|
D 267 |
Trinklied - (worked on manuscript) |
|
D 356 |
Trinklied - [1. Fassung] (fragment) |
|
D 356 |
Trinklied - [2. Fassung] (final stage) |
|
D 356 |
Trinklied - [3. Fassung] (worked on manuscript) |
|
D 28 |
Trio in B - [Partitur] (worked on manuscript) |
|
D 28 |
Trio in B - [Stimmen] (incompletely, partial autograph) |
|
D 897 |
Trio in Es für Klavier, Violine und Violoncello - (worked on manuscript) |
|
D 120 |
Trost in Tränen - (final stage) |
|
D 884 |
Über Wildemann - (final stage) |
|
D 682 |
Über allen Zauber Liebe - (fragment, worked on manuscript) |
|
D 54 |
Unendliche Freude durchwallet das Herz - [1. Version] (incompletely) |
|
D 54 |
Unendliche Freude durchwallet das Herz - [2. Version] (worked on manuscript) |
|
D 795/7 |
Ungeduld (aus: Die schöne Müllerin) - (final stage) |
|
D 89 |
V Menuette mit 6 Trios und V Deutsche mit 7 Trios und einer Coda - für Streichquartett (final stage) |
|
D 779 |
Valses sentimentales - 9 Tänze: Nr. 1–4, 33 und 34 - für Klavier (worked on manuscript) |
|
D 802 |
Variationen in e für Flöte und Klavier - über das Lied "Trockne Blumen" (final stage) |
|
D 908 |
Variationen über ein Thema aus der Oper: "Marie" von Hérold - für Klavier zu 4 Händen (worked on manuscript) |
|
D 287 A |
Vaterlandslied - [1. Fassung] (worked on manuscript) |
|
D 510 |
Vedi quanto adoro - [1. Fassung] (draft) |
|
D 510 |
Vedi quanto adoro - [2. Fassung] (draft) |
|
D 510 |
Vedi quanto adoro - [3. Fassung] (worked on manuscript, incompletely) |
|
D 510 |
Vedi quanto adoro - [4. Fassung] (final stage) |
|
D 88 |
Verschwunden sind die Schmerzen - (worked on manuscript) |
|
D 715 |
Versunken - [1. Fassung] (autograph with few corrections) |
|
D 715 |
Versunken - [2. Fassung] (final stage) |
|
D 642 |
Viel tausend Sterne prangen - (final stage) |
|
D 688,1 |
Vier Canzonen für eine Singstimme mit Klavierbegleitung - (autograph) |
|
D 935 |
Vier Impromptus für Klavier - [Entwurf zu Nr. 1] (draft) |
|
D 899/1 |
Vier Impromptus für Klavier - [Entwurf zu Nr. 1] (draft) |
|
D 354 |
Vier Komische Ländler in D - für 2 Violinen (final stage) |
|
D 224 |
Wandrers Nachtlied - (final stage) |
|
D 901 |
Wein und Liebe - (worked on manuscript) |
|
D 63 |
Wer die steile Sternenbahn - (worked on manuscript) |
|
D 110 |
Wer ist groß? - (worked on manuscript) |
|
D 261 |
Wer kauft Liebesgötter? - [2. Fassung] (final stage) |
|
D 865 |
Widerspruch - (final stage) |
|
D 855 |
Wiedersehn - (autograph with few corrections) |
|
D 304 |
Wiegenlied - (autograph with few corrections) |
|
D 498 |
Wiegenlied - (incompletely, worked on manuscript, manuscript not by Schubert's hand) |
|
D 767 |
Willkommen und Abschied - [1. Fassung] (autograph with few corrections) |
|
D 911 |
Winterreise - (partial autograph, incompletely, copy of a different hand with autograph entries) |
|
D 896 B |
Wolke und Quelle - (draft) |
|
D 260 |
Wonne der Wehmut - (final stage) |
|
D 362 |
Zufriedenheit - [1. Bearbeitung] (worked on manuscript) |
|
D 492 |
Zum Punsche - (final stage) |
|
D 83 |
Zur Namensfeier des Herrn Andreas Siller (Lied) - [ausgeführte Fassung, für Singstimme, Violine und Harfe] (final stage) |
|
D 80 |
Zur Namensfeier meines Vaters - [Endfassung] (final stage) |
|
D 80 |
Zur Namensfeier meines Vaters - [Entwurf] (worked on manuscript) |
|
D 80 |
Zur Namensfeier meines Vaters - [Stimmen (unvollst.)] (final stage) |
|
D 903 |
Zur guten Nacht - (worked on manuscript) |
|
D 769 |
Zwei Deutsche in A und D für Klavier - (final stage) |
|
D 145/1 |
Zwei Eccossaisen - für Klavier (final stage) |
|
D 91 |
Zwei Menuette mit je zwei Trios - für Klavier (autograph with few corrections) |
|
D 128 |
Zwölf Wiener Deutsche - für Klavier (worked on manuscript) |
